Citizen critics : literary public spheres
Author(s)
Bibliographic Information
Citizen critics : literary public spheres
（The history of communication）
University of Illinois Press, c2000
- : pbk.
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Note
Includes bibliographical references (p. [175]-189) and index
Description and Table of Contents
- Volume
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ISBN 9780252025136
Description
In this revealing study of the links among literature, rhetoric, and democracy, Rosa A. Eberly explores the public debate generated by amateur and professional readers about four controversial literary works: two that were censored in the United States and two that created conflict because they were not censored. In "Citizen Critics" Eberly compares the outrage sparked by the publication of James Joyce's "Ulysses" and Henry Miller's "Tropic of Cancer" with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's "American Psycho" and Andrea Dworkin's "Mercy". Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates by shifting the focus from content to aesthetics and from social values to publicity. By asserting their authority to pass judgments - thus denying the authority of citizen critics - these professionals effectively removed the discussion from literary public spheres.
A passionate advocate for treating reading as a public and rhetorical enterprise rather than solely as a private one, Eberly suggests the potential impact a work of literature may have on the social polity if it is brought into public forums for debate rather than removed to the exclusive rooms of literary criticism. Eberly urges educators to use their classrooms as protopublic spaces in which students can learn to make the transition from private reader to public citizen.
- Volume
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: pbk. ISBN 9780252068676
Description
The condition of our public discussions about literary and cultural works has much to say about the state of our democracy. Classrooms, newspapers, magazines, Internet forums, and many other places grant citizens a place to hold public discourses-and claim a voice on national artistic matters.
Rosa A. Eberly looks at four censorship controversies where professionals asserted their authority to deny citizen critics a voice-and effectively removed discussion of literature from the public sphere. Eberly compares the outrage sparked by the publication of James Joyce's Ulysses and Henry Miller's Tropic of Cancer with the relative quiescence that greeted the much more violent and sexually explicit content of Bret Easton Ellis's American Psycho and Andrea Dworkin's Mercy. Through a close reading of letters to the editor, reviews, media coverage, and court cases, Eberly shows how literary critics and legal experts defused censorship debates-and undercut the authority of citizen critics-by shifting the focus from content to aesthetics and from social values to publicity.
by "Nielsen BookData"