Conversations with Salman Rushdie
著者
書誌事項
Conversations with Salman Rushdie
(Literary conversations series / Peggy Whitman Prenshaw, general editor)
University Press of Mississippi, c2000
- : cloth
- : paper
大学図書館所蔵 全26件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
""If there's an attempt to silence a writer, the best thing a writer can do is not be silenced. If somebody is trying to stifle your voice, you should try and make sure it speaks louder than before."" Acclaim, success, and controversy follow every one of Salman Rushdie's writings. His novels and stories have won him awards and made him both famous in the literary world and a catalyst for protests worldwide. For nearly a decade after publication of The Satanic Verses, he faced a bounty on his life. Although Rushdie has participated in a great number of interviews, many of his most revealing conversations were published in journals and newspapers throughout the globe -- not only in England and the United States, but also in India, Canada, and across Europe. Conversations with Salman Rushdie, the first collection of interviews with Rushdie, brings together the best and some of the rarest of the interviews the author has granted. Though many know Rushdie for his novels, what most do not realize is the breadth of Rushdie's writing and thinking. There are many other Salman Rushdies -- the travel writer, the crafter of short stories, the filmmaker, the ""children's"" story writer, the essayist and critic, and the unflinching commentator on contemporary culture, particularly on race and inequality. ""The speaking of suppressed truths is one of the great possibilities of the novel,"" he tells the Third World Book Review, ""and it is perhaps the main reason why the novel becomes the most dangerous of art forms in all countries where people, governments, are trying to distort the truth."" Rushdie talks extensively about the creative process, about his views on art and politics, and about his life before and after the fatwa. Articulate, witty, and learned, he shows the side of himself that sparks such controversy. While not necessarily seeking to provoke, Rushdie shows how controversy is often inseparable from the politically charged situations and issues that compel him to write. Rushdie takes risks in his writing, pushing both the novelistic form and language to its limits. ""Dispense with safety nets,"" he says in Imaginary Homelands. These interviews reveal a man with a powerful mind, a wry sense of humor, and an unshakable commitment to justice. Michael R. Reder is director of the Roth Writing Center and an instructor in the department of English at Connecticut College.
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