Poetry and painting in Song China : the subtle art of dissent
Author(s)
Bibliographic Information
Poetry and painting in Song China : the subtle art of dissent
(Harvard-Yenching Institute monograph series, 50)
Harvard University Asia Center, 2000
- : [pbk]
Available at 6 libraries
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  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
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  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
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Note
Revision of the author's thesis (Ph. D.)--Princeton University
Bibliography: p. [353]-376
Includes index
Description and Table of Contents
- Volume
-
ISBN 9780674002432
Description
Throughout the history of imperial China, the educated elite used various means to criticise government policies and actions. During the Song dynasty (960-1278), some members of this elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions - some transparent, other deliberately concealed. She argues that the coding of messages in seemingly innocuous paintings was an important factor in the growing respect for painting among the educated elite and that the capacity of painting's systems of reference to allow scholars to express dissent with impunity contributed to the art's vitality and longevity.
- Volume
-
: [pbk] ISBN 9780674007826
Description
Throughout the history of imperial China, the educated elite used various means to criticize government policies and actions. During the Song dynasty (960-1278), some members of this elite found an elegant and subtle means of dissent: landscape painting.
By examining literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions--some transparent, others deliberately concealed. She argues that the coding of messages in seemingly innocuous paintings was an important factor in the growing respect for painting among the educated elite and that the capacity of painting's systems of reference to allow scholars to express dissent with impunity contributed to the art's vitality and longevity.
by "Nielsen BookData"