Elizabethan silent language
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Bibliographic Information
Elizabethan silent language
University of Nebraska Press, 2000
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Includes bibliographical references and index
Description and Table of Contents
Description
"Elizabethan silent language" is an anatomy of an alternative or supplementary mode of communication in a culture prized for its literary contributions. Through the use of non-verbal media, Elizabethans co-expressed, enhanced, and sometimes even subverted the medium of the written or spoken word. Besides written documents and works of art, extant material reveals new referents and deeper meaning for Elizabethan verbal expression. Funeral monuments, jewellery, costume, foodstuffs, protocol, sumptuary laws, portraits, architecture, management of public appearance, absence, and silence - all were forms of a silent language. The main elements of the semantic system of Elizabethan silent language were in many cases those of literal language, with resources in religion, in antiquity as translated through humanist tradition, in custom and law, in the Continental Renaissance, and in Tudor historiography - syntactic elements translated through word and practice and subject to personal inflection.
Assumed as given values were the masculine norm, young adulthood, courtly service, discernment of ethical and aesthetic dimensions in all aspects of life, a comprehensive rule of decorum, and the preservation of religious, political, and social hierarchy. "Elizabethan silent language" is a unique book. Although Renaissance scholars have focused their attention on individual components of texts, such as ceremony, costume, architecture, protocol, and portrait, no other source synthesises these components. Mary E. Hazard is a professor emerita at Drexel University.
Table of Contents
Contents: Introduction: The Concept and Types of Silent Language Part I. Line and Plane 1. Drawing the Line 2. Line as Intersection, Plane, and Idea Part II. Surface, Shape, and Substance 3. Surface, Color, and Texture as Superficial Comment 4. Shape and Substance as Matter of Weight Part III. Position, Gesture, Motion, and Duration 5. Place, Boundary, and Position 6. Motion, Measure, and Meaning Part IV. Figure and Ground: Convention, Indeterminacy, Absence, and Silence 7. Ceremonial Departures and Indecorous Presentations 8. Absent/Presence. Present/Absence, Gesture, Silence, and the Uses of Indeterminacy Notes
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