Yvan Goll--Claire Goll : texts and contexts
Author(s)
Bibliographic Information
Yvan Goll--Claire Goll : texts and contexts
(Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 23)
Atlanta, GA : Rodopi, 1997
- bound
- paper
Available at 1 libraries
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Note
Papers from a symposium held Dec. 1-2 Dec. 1994 at the University of London Institute of Germanic Studies
"This book is published simultaneously as Volume 68 in the series Publications of the Institute of Germanic Studies (University of London School of Advanced Study)"--Verso of t.p
Includes bibliographical references
Description and Table of Contents
- Volume
-
bound ISBN 9789042001732
Description
This volume brings together for the first time essays on both Claire and Yvan Goll. The Golls made distinctive contributions to the literary cultures of France and Germany in the first half of the twentieth century. Their writings shed much light upon their respective positions within the exile communities created by the First and Second World Wars, and in the inter-war avant-gardes of Paris and Berlin, whose cosmopolitanism and eclecticism they came to embody. The Golls' literary output was shaped by, and in turn helped to enrich, the experimental trends that often challenged or transcended conventional notions according to which genre and choice of literary language are stable phenomena. The essays in this volume focus on texts by Yvan and Claire Goll in French and German, and in various literary forms: these are examined in relation to contem-porary literary, artistic and musical developments, and place particular emphasis on collaborative and interdisciplinary works. The analyses explore a wide range of theoretical perspectives, including inter-textuality, Trivialliteratur, psychoanalysis, feminism, cultural marginality and negritude. This collection represents a distinctive and wide-ranging contribution to the study of Yvan and Claire Goll at a time of renewed critical interest in their lives and work.
Table of Contents
Introduction. YVAN. Margaret ROGISTER: Yvan Goll, Switzerland and the First World War. John J. WHITE: Iwan Goll's Reception of Italian Futurism and French Orphism. Robert VILAIN: `Orpheus' Unterschrift faksimiliert'? Yvan Goll's Bilingualism and Der Panama-Kanal. Jeremy STUBBS: Goll versus Breton: The Battle for Surrealism. Andreas KRAMER: `Basis aller neuen kommenden Kunst ist das Kino': Yvan Goll und das Medium Film. Robert VILAIN and Geoffrey CHEW: Iwan Goll and Kurt Weill: Der neue Orpheus and Royal Palace. Eric ROBERTSON: `Notre il quadruple': Visuality and Circularity in Yvan Goll's Poetry. CLAIRE. Margaret LITTLER: Madness, Misogyny and the Feminine in Aesthetic Modernism: Unica Zurn and Claire Goll. Rodney LIVINGSTONE: Eroticism and Feminism in the Writings of Claire Goll. Verena MAHLOW: `Exerzitien verfehlter Identitat': Zur Funktion von Klischeebildern und Trivialitat in der Prosa Claire Golls. Moray MCGOWAN: Black and White? Claire Goll's Der Neger Jupiter raubt Europa. `Briefe von Liliane'. Claire Goll's Letters to Rainer Maria Rilke, 1919-1925 edited and introduced by Robert Vilain.
- Volume
-
paper ISBN 9789042001893
Description
This volume brings together for the first time essays on both Claire and Yvan Goll. The Golls made distinctive contributions to the literary cultures of France and Germany in the first half of the twentieth century. Their writings shed much light upon their respective positions within the exile communities created by the First and Second World Wars, and in the inter-war avant-gardes of Paris and Berlin, whose cosmopolitanism and eclecticism they came to embody. The Golls' literary output was shaped by, and in turn helped to enrich, the experimental trends that often challenged or transcended conventional notions according to which genre and choice of literary language are stable phenomena. The essays in this volume focus on texts by Yvan and Claire Goll in French and German, and in various literary forms: these are examined in relation to contem-porary literary, artistic and musical developments, and place particular emphasis on collaborative and interdisciplinary works. The analyses explore a wide range of theoretical perspectives, including inter-textuality, Trivialliteratur, psychoanalysis, feminism, cultural marginality and negritude. This collection represents a distinctive and wide-ranging contribution to the study of Yvan and Claire Goll at a time of renewed critical interest in their lives and work.
Table of Contents
Introduction. YVAN. Margaret ROGISTER: Yvan Goll, Switzerland and the First World War. John J. WHITE: Iwan Goll's Reception of Italian Futurism and French Orphism. Robert VILAIN: 'Orpheus' Unterschrift faksimiliert'? Yvan Goll's Bilingualism and Der Panama-Kanal. Jeremy STUBBS: Goll versus Breton: The Battle for Surrealism. Andreas KRAMER: 'Basis aller neuen kommenden Kunst ist das Kino': Yvan Goll und das Medium Film. Robert VILAIN and Geoffrey CHEW: Iwan Goll and Kurt Weill: Der neue Orpheus and Royal Palace. Eric ROBERTSON: 'Notre oeil quadruple': Visuality and Circularity in Yvan Goll's Poetry. CLAIRE. Margaret LITTLER: Madness, Misogyny and the Feminine in Aesthetic Modernism: Unica Zurn and Claire Goll. Rodney LIVINGSTONE: Eroticism and Feminism in the Writings of Claire Goll. Verena MAHLOW: 'Exerzitien verfehlter Identitat': Zur Funktion von Klischeebildern und Trivialitat in der Prosa Claire Golls. Moray MCGOWAN: Black and White? Claire Goll's Der Neger Jupiter raubt Europa. 'Briefe von Liliane'. Claire Goll's Letters to Rainer Maria Rilke, 1919-1925 edited and introduced by Robert Vilain.
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