Semiotics and the analysis of film
著者
書誌事項
Semiotics and the analysis of film
Athlone, 2000
- : pbk
- タイトル別名
-
La sémiologie en question
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注記
Originally published as "La sémiologie en question"
内容説明・目次
内容説明
First published in France as "La Semiologie en Question", this study has become a classic analysis of the value of semiotics in film analysis. a film-maker and theoretician, Mitry poses the question that if cinema is a language can it be understood thought the techniques of linguistic analysis? In effect, he interrogates semiology by representing its basic propositions and approaches, comparing them with "scientific humanist" aesthetics. Mitry's study ranges across film language, its syntax, grammar and code, signs an signification, montage, images, narrative structures, symbols and metaphors, and the rhythm of film.
目次
- Preliminaries
- signs and signification
- the direct sign or the "neutral" image
- the image and perceived reality
- the shot
- iconic significations
- indexical significations
- the inference of montage
- concerning syntagmatic
- codes and codification
- images an speech
- narrative structures
- symbols and metaphors
- rhythm
- sense and nonsense
- image, language and thought.
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