Exploiting images and image collections in the new media : gold mine or legal minefield?
著者
書誌事項
Exploiting images and image collections in the new media : gold mine or legal minefield?
(International Bar Association series)
Kluwer Law International , International Bar Association, 1999
大学図書館所蔵 全6件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book takes as its primary focus the copyright and other intellectual property issues which arise out of the commercial exploitation and digitization of images. The digital revolution is taking software companies, educational institutions, museums, and motion picture and photo archives into uncharted legal and technological terrain. In particular, the nature of digital images makes more evident the legal, ethical and practical problems that are as yet unresolved in the print media. New information technologies have pushed to the forefront the use of images for commercial products as software companies search to acquire rights to scan photographs or paintings in libraries, photo and film archives and museum collections worldwide. At the same time museums and archives using multimedia to open up their collections to the public recognise that they hold financial assets capable of commercial exploitation. Fourteen articles written by prominent intellectual property lawyers and government officials discuss legal, policy and practical issues in the protection and commercial exploitation of images and image collections.
The essays present the views of various industries and governments, and provide national perspectives from Argentina, France, Germany, India, Japan, Malaysia, the United States and the United Kingdom, as well as a discussion of efforts at international harmonisation. The book includes a useful collection of original source material and sample forms in appendix, including an annotated CD-ROM Licensing Agreement. The text should provide a valuable resource for intellectual property and media lawyers, executives in the entertainment industry and new technology companies, museum directors, policy makers and regulators.
目次
- Introduction. About the Authors. 1. An Introduction to the Technological and Intellectual Property Issues in the Creation and Use of Digital Images
- A. Mille. 2. Digital Image Archives: An Overview from the U.S. Copyright Office
- C. Saez. 3. A Picture is Worth a Thousand Words: A Primer on US Intellectual Property Issues in the Exploitation of Images in the New Media
- B. Hoffman. 4. An Indian Government Perspective: Protection and Management of Copyright and Neighbouring Rights in the Digital Era
- P.V. Valsala G. Kutty. 5. Use of Images for Commercial Purpose: Copyright Issues in Malaysian Laws
- L. Wang. 6. Legal Protection of Digital Works in Japan
- H. Fujiwara. 7. Museums and Digital Image Archives and the Proposed European Directive on the Harmonisation of Copyright
- P. Wienand. 8. Interactive Access and Images: Can Copyright Adapt? J. Rubenstein. 9. Intellectual Property Issues in the Use of Museum Collections in New Media
- C. Steiner. 10. Difficulties of Managing Copyrights, Image and Property Rights to Digitised Works Under French Law
- G. Sainte-Marie, P. Gioux. 11. The Protection of Film, Photo and Museum Archives in Germany after the German Implementation of the European Data Base Directive, M. Schwartz, N. Klinger. 12. A Primer on The Law of Webcasting and Digital Music Delivery, B. Kohn. 13. Music: Licenses, Permission Forms and Releases in the Digital Age
- R.V. Browne. 14. Intellectual Property and Recorded Sound: Gold Mine and Minefield
- A. Seegers. Appendices.
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