French organ music : from the revolution to Franck and Widor
著者
書誌事項
French organ music : from the revolution to Franck and Widor
(Eastman studies in music)
University of Rochester Press, 1999, c1995
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.
Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boely, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaille-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked.
Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith
目次
- Part 1 From the revolution to Franck: evolutionary schemes -organists and their revolutionary music, Kimberly Marshall and William J. Peterson
- organ music in the Mass of the Parisian rite to 1850 with emphasis on the contributions of Boely, Benjamin Van Wye
- Boely's "Quatorze Preludes sur des Cantoques de Denisot" op.15, and the creation of a French "Christmas" "Orgelbuchlein", Craig Cramer
- Lemmens, his "Ecole d'orgue" and 19th-century organ methods, William J. Peterson. Part 2 Franck - the texts: Paris, Bibliotheque Nationale, MS 8707 - a new source for Franck's registrational practices and its implications for the published registrations of his organ works, Jesse E. Eschbach
- from manuscript to publication - Franck's "Choral" no.1, Karen Hastings-Deans. Part 3 Franck - issues in performance: the organ works of Franck - a survey of editorial and performance problems, Marie-Louise Jaquet-Langlais
- some thoughts on the interpretation of the organ works of Franck, on his organ and on the Lemmens tradition, Daniel Roth. Part 4 Widor and his contemporaries: "Why should we not do the same with our Cathlic melodies?" - Guilmant's "L'Organiste liturgiste" op.65, Edward Zimmerman and Lawrence Archbold
- Widor's "Symphonie romane", Lawrence Archbold
- the organ of the Trocadero and its players, Rollin Smith.
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