From the ocean of painting : India's popular paintings, 1589 to the present
Author(s)
Bibliographic Information
From the ocean of painting : India's popular paintings, 1589 to the present
Oxford University Press, 1998
- : cloth
- : paper
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"Based on an exhibition presented by the University of Iowa Museum of Art, which traveled to the David and Alfred Smart Museum of Art, the University of Chicago, and the Santa Barbara Museum of Art during 1994-95"--T.p. verso
Includes bibliographical references (p. 255-280) and index
Description and Table of Contents
- Volume
-
: cloth ISBN 9780195111934
Description
Over the centuries India, with its genius for painting, has developed myriad traditions and types of painting that constitute, collectively, an "ocean" of visual form. Yet books on Indian painting in the West have focused mainly on miniatures commissioned by Indian emperors and maharajas, with little attention given to popular painting - painting for the people. This book, based on a travelling exhibition that that the curated, is intended as a comprehensive overview of this diverse and fascinating material. It features 21 forms of Indian popular painting, with four-colour and black and white illustrations selected from 30 collections.
- Volume
-
: paper ISBN 9780195111941
Description
Over the centuries India, with its genius for painting, has developed myriad traditions and types of painting that constitute, collectively, an "ocean" of visual form. Yet books on Indian painting in the West have focused mainly on miniatures commissioned by Indian emperors and maharajas, with little attention given to popular painting - painting for the people. This book, based on a travelling exhibition that the author curated, is intended as a comprehensive overview of this diverse and fascinating material. It features 21 forms of Indian popular painting, with four-colour and black and white illustrations selected from 30 collections.
by "Nielsen BookData"