Self-portraits by women painters
著者
書誌事項
Self-portraits by women painters
Ashgate, c2000
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注記
Includes bibliographical references (p. 235-256) and index
内容説明・目次
内容説明
In this volume, the authors trace the development of women's representation of themselves as artists from antiquity to the present day. Identity and beauty are two of the most difficult and unstable concepts in art history and this account articulates many of the issues related to the portrayal of women's bodies. Arranged chronologically by chapter, each period is described by a specialist author. Beginning with recorded accounts of the work of artists such as Marcia Timarete and Eirene, the authors take their examination through to the present day and the work of Louise Bourgeois, Howardena Pindell and Paula Rego. Self-portraits can disclose fascinating details about the painters' lives, their studios, their education, their ability to travel, and their relationship to past artistic accomplishments. The setting, the posture, the activity of the sitter can all express confidence, or the lack of it, in the artist's own professional status. They are also interventions in contemporary debate on the representation of women and notions of beauty.
In the 20th century in particular, the self-portrait becomes a strategic site in which women artists challenge notions of womanhood and beauty.
目次
- Self-portraits in ancient times
- the mediaeval reflection -illumination and miniature self-portraits
- the Renaissance - new types of female self-portraits
- mannerism
- the self-portrait and the "Nobil donna"
- the baroque
- power, vision and the self
- the 18th century - transition, travel and international recognition
- the 19th century - education, exhibitions and new opportunities
- the symbolic self - women artists' quest for identity in the 20th century
- contemporary art - journey to the inner self.
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