Colonial photography and exhibitions : representations of the 'native' and the making of European identities
著者
書誌事項
Colonial photography and exhibitions : representations of the 'native' and the making of European identities
Leicester University Press, 2000, c1999
- : pbk
- タイトル別名
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Colonial photography & exhibitions
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注記
"First published 1999. Reprinted in paperback with corrections 2000"--T.p. verso
Includes bibliographical references (p. 224-238) and index
内容説明・目次
内容説明
An investigation of the historical practice of producing stereotyped spectacles of representations of colonized peoples at the great exhibitions and in colonial photography, relating it to the shaping of European and settler identities. In doing so, it singles out the homogenous aspects of colonialism's culture as well as distinguishing its discontinuities. By comparing the images produced in Britain and France with those produced in North America, Australia, New Zealand, the Pacific, China and Japan, it proposes that differences in representations of colonized peoples between the imperial centres and the colonies were the result of different social and political agendas. By focusing on images connected to anthropology, dying race theory, travel, tourism and portraiture, Anne Maxwell argues that while some photographs were directed at naturalizing the precept of colonialism, others were used to criticise it and to empower indigenous subjects. The book is written from a postcolonial perspective and pursues an interdisciplinary approach.
目次
- Introduction - the great exhibitions, photography and the making of European identities
- the native village in Paris and London -European exhibitions and theories of race
- a lens on the other -photographs of non-western peoples by anthropologists and travellers
- the white city and the midway - ethnographic displays, radical innocence and American imperialism
- shifting focus - photographic representations of Native Americans and African-Americans
- in the shades of imperialism - representations of colonized peoples in Australia and New Zealand
- beyond the native belle - dissident photographers and indigenous publics in Samoa and New Zealand
- colonial photography and indigenous resistance in Hawaii - the case of the last royal family.
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