British cinema in documents
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Bibliographic Information
British cinema in documents
Routledge, 2000
- : case
- : pbk
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Note
Bibliography: p. [184]-188
Includes index
Description and Table of Contents
- Volume
-
: case ISBN 9780415168007
Description
British Cinema in Documents presents an introduction to the key concerns and debates in British cinema through documents, ranging from official papers to fan magazines. Sarah Street shows how such documentary material can enrich our understanding of cinema's place in national culture and shed new light on defining moments in British cinema history.
Street draws together a wide range of material, discussing oral histories, film posters and stills and star memorabilia alongside audience surveys, censorship reports, fan magazines and web sites, providing a context for each extract she discusses. She uses a series of case studies, including film censorship during the Second World War, the fan cultures surrounding stars from Margaret Lockwood to Ewan McGregor, and surveys of the British cinema audience to illustrate how archival research can provide a new understanding of the relationship between a film and other kinds of texts, and between films, their audiences, and the state.
Table of Contents
List of Plates and Documents Acknowledgements 1. The Texts and Methods of Film Histor(ies) 2. Celluloid Diplomacy: British Film and Official Policy 3. 'What a difference a war makes!': Love On the Dole (1941) and British Film Censorship 4. Filippo Del Giudice, Chance of a Lifetime (1950) and British Cinema in the 1940s 5. Document of Fandom: Margaret Lockwood and Ewan McGregor 6. The British Cinema Audience Conclusion Appendix: Major sources for the study of British Cinema Notes Bibliography
- Volume
-
: pbk ISBN 9780415168014
Description
British Cinema in Documents presents an introduction to the key concerns and debates in British cinema through documents, ranging from official papers to fan magazines. Sarah Street shows how such documentary material can enrich our understanding of cinema's place in national culture and shed new light on defining moments in British cinema history.
Street draws together a wide range of material, discussing oral histories, film posters and stills and star memorabilia alongside audience surveys, censorship reports, fan magazines and web sites, providing a context for each extract she discusses. She uses a series of case studies, including film censorship during the Second World War, the fan cultures surrounding stars from Margaret Lockwood to Ewan McGregor, and surveys of the British cinema audience to illustrate how archival research can provide a new understanding of the relationship between a film and other kinds of texts, and between films, their audiences, and the state.
Table of Contents
List of Plates and Documents Acknowledgements 1. The Texts and Methods of Film Histor(ies) 2. Celluloid Diplomacy: British Film and Official Policy 3. 'What a difference a war makes!': Love On the Dole (1941) and British Film Censorship 4. Filippo Del Giudice, Chance of a Lifetime (1950) and British Cinema in the 1940s 5. Document of Fandom: Margaret Lockwood and Ewan McGregor 6. The British Cinema Audience Conclusion Appendix: Major sources for the study of British Cinema Notes Bibliography
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