English and Italian theatre

著者

書誌事項

English and Italian theatre

edited by Christopher Cairns

（The Renaissance theatre : texts, performance, design, v. 1）

Ashgate, c1999

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注記

Papers first presented Sept. 12, 1997 at a Society for Renaissance Studies conference at the Globe Theatre and then at the University of Westminster, London, England

Includes bibliographical references and index

内容説明・目次

内容説明

This volume and a second (on "Design, Image and Acting") include many of the papers given at a conference held at the Globe Theatre in August 1997. The essays examine a range of themes related to Renaissance dramatic production, including costume and stage design, the representation of theatrical figures in texts and illustrations, as well as on the stage; what dramatic texts may reveal about their staging, and comparisons and contrasts between English and continental traditions.

目次

  • Shakespeare's ambiguous magic in "The Tempest", Bent Holm
  • Mountebanks, mummers and masquerades in Thomas Platter's diary (1595-1600), M.A. Katrizky
  • the figure of Desdemona in 18th- and 19th-century illustrations, Margaret Rose
  • alone of all her sex - Elizabeth Cary, the Viscountess Falkland, Valerie Lucas
  • the portrait of Elizabeth Cary in the Ashmolean Museum - "cross-dressing" in the English Renaissance, Ronnie Mirkin
  • Shakespeare's Italian nature, or, from garden to stage, Caroline Patey
  • "What is't you lack?" - comedic obligations in Middleton's "A Chaste Maid in Cheapside", Andy Stott
  • adjusting the canon for later 15th-century Florence - the case of Antonia Pulci, Judith Bryce
  • venues and staging in Ruzante's theatre - a practitioner's experience, Ronnie Ferguson
  • "Candelaio: la commedia di un filosofo", Lia Buono Hodgart
  • "La musica ben adattata e l'anima e 'l condito di tutta la festa" - music and poetry in Michelangelo Buonarroti il Gioivane's "Il giudzio di Paride" (1608), Jamie Cole.

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