Design, image and acting
著者
書誌事項
Design, image and acting
（The Renaissance theatre : texts, performance, design, v. 2）
Ashgate, c1999
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注記
Papers first presented Sept. 13-14, 1997 at a Society for Renaissance Studies conference at the Globe Theatre and then at the University of Westminster, London, England
Includes bibliographical references and index
内容説明・目次
内容説明
This volume along with a previous one (on "The English and Italian Theatre") include many of the papers given at a conference held at the Globe Theatre in August 1997. The essays examine a range of themes related to Renaissance dramatic production, including costume and stage design, the representation of theatrical figures in texts and illustrations, as well as on the stage; what dramatic texts may reveal about their staging, and comparisons and contrasts between English and continental traditions.
目次
- La memoria del teatro nel medioevo e il caso terenzio, Cesare Molinari
- les illustrations des pieces editees, en France, au debut du XVIIeme siecle - leur rapport avec la realite scenique (etude elaboree a partir des didascalies du texte), Catherine Guillot
- le edizioni illustrate dei drammaturghi antichi e l'idea del teatro antico nel Rinascimento, Eleonora Giordani
- "il portico" and "la bottega" on the early italian perspective stage - a comparative study in theatre iconography, Klaus Neiindam
- spectacle and "civil liturgies" in Malta during the time of the Knights of St John, Vicki Ann Cremona
- la sopravvivenza dell'idea rinascimentale delle festa negli allestimenti teatrali fiorentini degli anni 1656-1661, Franxoise Decroisette
- the "servant of two masters" - Scaramouche, "Hamlet and "Dom Juan", Stephen Knapper
- performing theatre - on acting in the early Renaissance, Raimondo Guarino
- redesigning Shakespeare - modern Macbeths between cinema and fine art, Mariacristina Cavecchi.
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