Essays on Handel and Italian opera

Bibliographic Information

Essays on Handel and Italian opera

Reinhard Strohm

Cambridge University Press, 1985

Available at  / 4 libraries

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Note

Bibliography: p. 289-290

Includes index

Contents of Works

  • Heritage: Handel's Italian journey as a European experience ; Alessandro Scarlatti and the eighteenth century ; Handel and his Italian opera texts ; Francesco Gasparini's later operas and Handel
  • Operatic practice: Towards an understanding of the opera seria ; An opera autograph of Francesco Gasparini? ; Vivaldi's career as an opera producer ; Handel's pasticci
  • Answers to the past: Leonardo Vinci's Didone abbandonata (Rome 1726) ; Handel's Ezio ; Metastasio's Alessandro nell'Indie and its earliest settings ; Comic traditions in Handel's Orlando

Description and Table of Contents

Description

In this valuable collection of essays, published to coincide with the tercentenary of Handel's birth, Reinhard Strohm examines the relationship between Handel's great operas and the earlier European Baroque tradition, focusing on the Italian school, to which they are so crucially indebted. Handel's immediate heritage included the figures of Scarlatti, Gasparini and Vivaldi; this book establishes that context, concentrating on contemporary operatic practice, and proceeds to analyse three of Handel's best-known works. It shows how they elaborate and develop the style and method of the Italian operatic theatre, embracing previous traditions and synthesizing them with a new and exciting accentuation.

Table of Contents

  • 1. Heritage
  • 2. Operatic Practice
  • 3. Answers to the past.

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