Michelangelo and the reform of art
著者
書誌事項
Michelangelo and the reform of art
Cambridge University Press, c2000
大学図書館所蔵 全14件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references
内容説明・目次
内容説明
Michelangelo was acutely conscious of living in an age of religious crisis and artistic change, and for him the two issues were related. Michelangelo and the Reform of Art explores Michelangelo's awareness of artistic tradition as a means of understanding his relation, as a devoutly Christian artist, to the profound religious uncertainty of the sixteenth century. Concentrating on Michelangelo's lifelong preoccupation with the image of the dead Christ, Alexander Nagel studies the artist's associations with reform-minded circles in early sixteenth-century Italy, and reveals his sustained concern over the fate of religious art in his own day. Within the context of reform, Michelangelo's art reflects an artistic and religious culture where self-conscious archaism mingles with aggressive innovation, and ambivalence regarding the role of images yields radical aesthetic experimentation. A reassessment of Michelangelo's work, this revisionist study sheds new light on High Renaissance and Mannerist art as a whole.
目次
- Introduction: Michelangelo's work as an art historian
- Part I. History Painting and Cult Images in the Altarpiece: 1. Transport and Transitus
- 2. Man of sorrows and entombment
- 3. Humanism and the altar image
- 4. The altarpiece in the age of history painting
- Part II. Presentation and Withdrawal: Michelangelo's Late Pietas
- 5. Passionate withdrawal
- 6. Art work and cult image
- 7. Sculpture as relic.
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