Music and theatre in France, 1600-1680
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書誌事項
Music and theatre in France, 1600-1680
Oxford University Press, 2000
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien regime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the
establishment of the Comedie-Francaise. The dynamic interaction of the performing arts in primarily spoken theatre, cross-fertilized by ballet de cour and imported Italian opera, gave rise to a set of musical conventions that later informed the pastorale en musique and early French pastoral opera. The performance
history of four comedies-ballets by Moliere, Lully, and Charpentier leads to a discussion of the musical and balletic performance practices of Moliere's theatre and the interconnections between Moliere's last comedie-ballet, Le Malade imaginaire, and Lully's first opera, Les Festes de l'Amour et de Bacchus.
目次
- PART I: MUSIC AND PUBLIC THEATRE IN PARIS
- PART II: THE PLACE AND FUNCTION OF MUSIC AND DANCE IN FRENCH PLAYS
- PART III: MUSIC AND THE THEATRE OF MOLIERE
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