Mosaic modernism : anarchism, pragmatism, culture
著者
書誌事項
Mosaic modernism : anarchism, pragmatism, culture
（New studies in American intellectual and cultural history）
Johns Hopkins University Press, c2000
大学図書館所蔵 全12件
注記
Includes bibliographical references (p. 239-315) and index
内容説明・目次
内容説明
David Kadlec examines the anarchist and pragmatist origins of modernism as a literary/cultural phenomenon. Offering an account of modernism's political genesis, he shows that the mosaic, improvisational tendencies of modern literature shared a common ancestry with emerging conceptions of cultural identity. Treating a wide range of historical sources and materials, many of them previously unpublished, Kadlec argues that the formal experiments of leading modernists were spurred by German, French and British anarchists. Anarchist polemics against "beginnings, origins and principles" shaped the avant-garde writings of Ezra Pound and James Joyce. And anarchism influenced American philosophy as well. The pragmatist William James was among those who adapted anarchist premises to lingering exceptionalist visions of American experience and identity. Through the writings of later American philosophers and social theorists - Horace Kallen, John Dewey and Alain Locke - and through the inventive poems of William Carlos Williams and Marianne Moore, modernism's resistantce to deterministic "first principles" came to assume a new shape on American soil.
The anti-foundationalist impulse that lay beneath modernism's formal innovations, Kadlec argues, eventually spawned its own foundation in the notion of culture as an indeterminate and contingent measure of American identity. The orthodoxy of this new cultural measure received challenge in later modernist innovations of the African-American folklorist and novelist Zora Neale Hurston. In restoring the centrality of anarchism and pragmatism to a range of modern writers and movements, the book offers a historical perspective on contemporary conceptions of identity politics.
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