Screening violence
著者
書誌事項
Screening violence
(Rutgers depth of field series)
Rutgers University Press, c2000
- : cloth
- : pbk
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780813528175
内容説明
Graphic cinematic violence is a magnet for controversy. From passionate defences to outraged protests, theories abound concerning this feature of modern film: is it art or exploitation, dangerous or liberating? This volume provides an examination of the history, merits and effects of cinematic "ultraviolence". Movie reviewers, cinematographers, film scholars, psycologists and sociologists all contribute essays exploring topics such as: the origins and innovations of film violence and attempts to regulate it; Hollywood's production code and the evolution of the ratings system; the explosion of screen violence following the 1967 releases of "Bonnie and Clyde" and "The Dirty Dozen", and the lasting effects of these landmark films; the aesthetics of increasingly graphic screen violence; the implications of our growing desensitization to murder and mayhem, from "The Wild Bunch" to "The Terminator".
- 巻冊次
-
: pbk ISBN 9780813528182
内容説明
Graphic cinematic violence is a magnet for controversy. From passionate defenses to outraged protests, theories abound concerning this defining feature of modern film: Is it art or exploitation, dangerous or liberating?
Screening Violence provides an even-handed examination of the history, merits, and effects of cinematic "ultraviolence." Movie reviewers, cinematographers, film scholars, psychologists, and sociologists all contribute essays exploring topics such as:
* the origins and innovations of film violence and attempts to regulate it
(from Hollywood's Production Code to the evolution of the ratings system)
* the explosion of screen violence following the 1967 releases of Bonnie and Clyde and The Dirty Dozen, and the lasting effects of those landmark films
* the aesthetics of increasingly graphic screen violence
* the implications of our growing desensitization to murder and mayhem, from The Wild Bunch to The Terminator
目次
Graphic Violence in the Cinema: Origins, Aesthetic Design, and Social Effects
The Historical Context of Ultraviolence -
The Thin Red Line
Movies to Kill People By
Another Smash at Violence
Crowther Crowther's `Bonnie'-Brook: Rap at Violence Stirs Brouhaha
Statement by Jack Valenti, MPAA President, before the National Commission on the Causes and Prevention of Violence
The Aesthetics of Ultraviolence -
Bang Bang Bang Bang, Ad Naseum
Death and Its Details
Violence: The Strong and the Weak
The Violent Dance: A Personal Memoir of Death in the Movies
Her Body, Himself: Gender in the Slasher Film
The Aesthetic of Slow-Motion Violence in the Films of Sam Peckinpah
The Effects of Ultraviolence -
Some Effects of Thoughts on Anti- and Prosocial Influences of Media Events: A Cognitive-Neoassociation Analysis
Mass Media Effects on Violent Behavior
Contributors
Index
「Nielsen BookData」 より