Writing and cinema
著者
書誌事項
Writing and cinema
（Crosscurrents）
Longman, 1999
- csd
- ppr
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注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
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ppr ISBN 9780582357570
内容説明
This collection of essays examines the ways in which writing and cinema can be studied in relation to each other. A wide range of material is presented, from essays which look at particular films, including The Piano and The English Patient, to discussions of the latest developments in film studies including psychoanalytic film theory and the cultural study of film audiences. Specific topics that the essays address also include: the kinds of writing produced for the cinema industry, advertising, film adaptations of written texts and theatre plays from nineteenth century 'classic' novels to recent cyberpunk science fiction such as Blade Runner and Starship Troopers. The essays deal with existing areas of debate, like questions of authorship and audience, and also break new ground, for example in proposing approaches to the study of writing on the cinema screen. The book includes a select bibliography, and a documents section gives details of a range of films for further study.
目次
Notes on contributors, General editors' preface, Acknowledgements, Introduction, Part One Writing for Cinema, Part Two Writing in Cinema, Part Three Writing into Cinema, Part Four Writing about Cinema, Selected bibliography, Index
- 巻冊次
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csd ISBN 9780582357587
内容説明
This study explores the relationship between writing and film, looking at box office successes such as "The Piano" and "The English Patient" as well as adaptations of 19th century "classic" novels, and science fiction films such as "Blade Runner" and "Starship Troopers".
目次
- Part 1 Writing for cinema: "whose stories you tell" - writing "Ken Loach", John Tulloch in conversation with Rona Munro
- questions of authorship - Samuel Beckett and film, Jonathan Bignell
- publicists - distribution workers in the pleasure economy of the film industry, Kevin Moloney. Part 2 Writing in cinema: preliminaries for a taxonomy and rhetoric of on-screen writing, Sean Cubitt
- writing, cinema and the avant garde - Michael Snow and "So Is This", Jim Hillier
- inscription in "This Piano", Lib Taylor. Part 3 Writing into cinema: the mutinies on HMS Bounty, Robert Giddings
- three "Madame Bovarys" - Renoir, Minnelli, Chabrol, Alain J.-J. Cohen
- the fiction is already there - writing and film in Blair's Britain, Stuart Laing
- public spaces and private narratives - plays and films of David Hare, Stephen Lacey
- preserving machines - recentering the decentered subject in "Blade Runner" and "Johnny Mnemonic", Mark Bould
- from SF to sci-fi - Paul Verhoeven's "Starship Troopers", I.O. Hunter. Part 4 Writing about cinema: writing and reputation - "The Searchers" 1956-1976, Douglas Pye
- writing on film - practical propositions, Reynold Humphries
- writing about specularity and modernity - the case of "Dancing Lady", Leighton Grist and David Lusted. Part 5 Documents: audo-visual resources.
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