The styles of ca. 200-100 B.C.
著者
書誌事項
The styles of ca. 200-100 B.C.
(Wisconsin studies in classics, . Hellenistic sculpture / Brunilde Sismondo Ridgway ; 2)
University of Wisconsin Press, c2000
- タイトル別名
-
Hellenistic sculpture ll : the styles of ca. 200-100 B.C.
Hellenistic sculpture 2
大学図書館所蔵 全10件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 341-363) and index
内容説明・目次
内容説明
The second century BCE is one of the most prolific periods in the production of Greek and Hellenistic art, but it is a period extremely vexing to scholars. Very few of the works traditionally cited as examples of this century's art can be dated with certainty, and those that plausibly belong to it reflect no general trends in function, iconography or style. In the second of Ridgway's three planned volumes on Hellenistic sculpture, she takes on the challenge of interpreting and dating the art of this complex and lively century. During this period, artistic production was stimulated by the encounter between Greece and Rome and fuelled by the desire of the kings of Pergamon to emulate the past glories of 5th-century Athens. Statuary in relief and in the round, often at monumental scale, was created in a variety of styles. Ridgway attempts to determine what can be securely considered to have been produced during the second century BCE. In the course of her exploration, she critically scrutinizes most of the best-known pieces of Greek sculpture, ultimately revealing a tentative but plausible picture of the artistic trends of 200-100 BCE.
「Nielsen BookData」 より