The historical film : history and memory in media

書誌事項

The historical film : history and memory in media

edited and with an introduction by Marcia Landy

(Rutgers depth of field series)

Rutgers University Press, c2001

  • : cloth
  • : pbk

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注記

Includes bibliographical references (p. 331-334) and index

内容説明・目次

巻冊次

: cloth ISBN 9780813528557

内容説明

What is history? How do we represent it? How do our notions of history change over time? The essays in The Historical Film: History and Memory in Media probe the roles that cinema and television play in altering and complicating our understanding of historical events.The book brings together representative examples of how both media critics and historians write about history as it is created and disseminated through film and television. The essays explore what is at stake culturally and politically in media history and how this form of history-making is different from traditional historiography. The volume is divided into four parts--Regarding History; History as Trauma; History, Fiction, and Postcolonial Memory; and History and Television--that progressively deepen our understanding of just how complex the issues are. Essays by top scholars analyze many different kinds of film: historical film, documentary, costume drama, and heritage films. The section on television is equally broad, examining phenomena as diverse as news broadcasts and Ken Burns's documentary The Civil War.Contributors are Mbye Cham, George F. Custen, Mary Ann Doane, Richard Dienst, Taylor Downing, Gary Edgerton, Naomi Greene, Miriam Bratu Hansen, Sue Harper, Sumiko Higashi, Anton Kaes, Marcia Landy, Shawn Rosenheim, Robert A. Rosenstone, Pierre Sorlin, Maria Wyke, and Ismail Xavier.
巻冊次

: pbk ISBN 9780813528564

内容説明

What is history? How do we represent it? How do our notions of history change over time? The essays in The Historical Film: History and Memory in Media probe the roles that cinema and television play in altering and complicating our understanding of historical events. The book brings together representative examples of how both media critics and historians write about history as it is created and disseminated through film and television. The essays explore what is at stake culturally and politically in media history and how this form of history-making is different from traditional historiography. The volume is divided into four parts--Regarding History; History as Trauma; History, Fiction, and Postcolonial Memory; and History and Television--that progressively deepen our understanding of just how complex the issues are. Essays by top scholars analyze many different kinds of film: historical film, documentary, costume drama, and heritage films. The section on television is equally broad, examining phenomena as diverse as news broadcasts and Ken Burns's documentary The Civil War. Contributors are Mbye Cham, George F. Custen, Mary Ann Doane, Richard Dienst, Taylor Downing, Gary Edgerton, Naomi Greene, Miriam Bratu Hansen, Sue Harper, Sumiko Higashi, Anton Kaes, Marcia Landy, Shawn Rosenheim, Robert A. Rosenstone, Pierre Sorlin, Maria Wyke, and Ismail Xavier.

目次

Preface Introduction Regarding History How to Look at an "Historical" Film The Historical Film: Looking at the Past in a Postliterate Age Making History Historical Pleasures: Gainsborough Costume Melodrama History as Trauma Projecting Ancient Rome "You Remember Diana Dors, Don't You?" History, Femininity, and the Law in the 1950s and 1980s British Cinema The Presence of the Past: Rainer Werner Fassbinder's The Marriage of Maria Braun Schindler's List is Not Shoah: The Second Commandment, Popular Modernism, and Public Memory Walker and Mississippi Burning: Postmodernism versus Illusionust Narrative History, Fiction, and Postcolonial Memory Empire as Myth and Memory Black God, White Devil: The Representation of History Official History, Popular Memory: Reconfiguration of the African Past in the Films of Ousmane Sembene History and Television Information, Crisis, Catastrophe History, the Eternal Rerun: On Crime Story History on Television: The Making of Cold War, 1998 Ken Burns's Rebirth of a Nation: Television, Narrative, and Popular History Interrotroning History: Errol Morris and the Documentary of the Future Select Bibliography Contributors Index

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