From Plato to Winckelmann

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Bibliographic Information

From Plato to Winckelmann

Moshe Barasch

（Theories of art / Moshe Barasch, 1）

Routledge, 2000

Routledge ed

Available at  / 20 libraries

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Note

Rev. ed. of: Modern theories of art., c1985

Includes bibliographical references and indexes

Description and Table of Contents

Description

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Table of Contents

  • Introduction
  • I. Antiquity
  • 1. Introduction
  • 2. The Philosophers
  • 3. Teachings of the Workshops
  • 4. The Problem of the Artist
  • 5. Plotinus
  • II. The Middle Ages
  • 1. Iconoclasm
  • 2. The Early Middle Ages: The West
  • 3. Workshop Literature
  • 4. Aesthetic Values in the Late Middle Ages
  • 5. Scholasticism
  • III. The Early Renaissance
  • 1. The Imitation of Nature: A Concept Emerges
  • 2. Alberti: The Birth of a New Theory of Art
  • 3. Correct Imitation: Art and Science
  • 4. Anatomy
  • 5. Leonardo da Vinci
  • 6. Durer
  • 7. Formal Correctness: Perspective
  • IV. The Artist and the Medium: Some Facets of the High Renaissance
  • 1. Paragone
  • 2. Rise of the Creative Artist
  • 3. Michelangelo
  • V. The Late Renaissance
  • 1. New Authors and New Readers
  • 2. Florence and Rome
  • 3. Venice
  • 4. Northern Italy
  • 5. Rebelling Against the Rules: The Last Phase of Renaissance ARt Theory
  • VI. Classicism and the Academy
  • 1. Foundations
  • 2. The Academy in Paris: Rule of Rules
  • 3. The Crisis of the Academy
  • Bibliographical Essay
  • Index

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