From Plato to Winckelmann
Author(s)
Bibliographic Information
From Plato to Winckelmann
(Theories of art / Moshe Barasch, 1)
Routledge, 2000
Routledge ed
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Note
Rev. ed. of: Modern theories of art., c1985
Includes bibliographical references and indexes
Description and Table of Contents
Description
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Table of Contents
- Introduction
- I. Antiquity
- 1. Introduction
- 2. The Philosophers
- 3. Teachings of the Workshops
- 4. The Problem of the Artist
- 5. Plotinus
- II. The Middle Ages
- 1. Iconoclasm
- 2. The Early Middle Ages: The West
- 3. Workshop Literature
- 4. Aesthetic Values in the Late Middle Ages
- 5. Scholasticism
- III. The Early Renaissance
- 1. The Imitation of Nature: A Concept Emerges
- 2. Alberti: The Birth of a New Theory of Art
- 3. Correct Imitation: Art and Science
- 4. Anatomy
- 5. Leonardo da Vinci
- 6. Durer
- 7. Formal Correctness: Perspective
- IV. The Artist and the Medium: Some Facets of the High Renaissance
- 1. Paragone
- 2. Rise of the Creative Artist
- 3. Michelangelo
- V. The Late Renaissance
- 1. New Authors and New Readers
- 2. Florence and Rome
- 3. Venice
- 4. Northern Italy
- 5. Rebelling Against the Rules: The Last Phase of Renaissance ARt Theory
- VI. Classicism and the Academy
- 1. Foundations
- 2. The Academy in Paris: Rule of Rules
- 3. The Crisis of the Academy
- Bibliographical Essay
- Index
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