Representing the marginal woman in nineteenth-century Russian literature : personalism, feminism, and polyphony
著者
書誌事項
Representing the marginal woman in nineteenth-century Russian literature : personalism, feminism, and polyphony
（Contributions in women's studies, no. 185）
Greenwood Press, 2001
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注記
Includes bibliographical references (p.[159]-168) and index
内容説明・目次
内容説明
Gender-oriented studies of 19th-century Russian literature have struggled with how to determine the feminism or misogyny of particular authors. This book argues that in order to make this determination, we need to engage with the poetics of the text rather than rely on the author's stated views. By focusing on the character type of the ward, or young female dependent, this book examines the narrative strategies used by such writers as Pushkin, Zhukova, Tolstoy, Herzen, and Dostoevsky to represent socially marginal women in their works.
Drawing on the theories of Bakhtin, the volume analyzes the degree to which female characters are presented as subjects who actively think and perceive, rather than as passive objects who are thought of and perceived by men. In a polyphonic novel, authors enter into dialogic relationships with their characters; they depict them as unfinalizable persons, unfathomable and unpredictable, capable of the full range of human activity and emotion. The extent to which this polyphony incorporates women's voices is an accurate gauge of the feminism or misogyny of individual writers.
目次
Introduction
Pushkin's Discovery: Erasing the Margin/Center Dichotomy
Becoming a Subject: Finding a Voice and Overcoming the Objectifying Male Gaze in Maria Zhukova's The Locket and Self-Sacrifice
Herzen's Who Is to Blame?: Feminism Between Freedom and Determinism
Tolstoy on the Way towards Feminism and Polyphony: From War and Peace to Anna Karenina
Dostoevsky's Dasha Shatova (Demons) As the Culmination of the Russian Ward Tradition
Dostoevsky Listening to and Re-broadcasting a Woman's Voice: Demons and Jane Eyre
Conclusion
Index
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