Nationalists, cosmopolitans, and popular music in Zimbabwe
Author(s)
Bibliographic Information
Nationalists, cosmopolitans, and popular music in Zimbabwe
(Chicago studies in ethnomusicology)
University of Chicago Press, 2000
- : hc
- : pbk
Available at 7 libraries
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  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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Graduate School of Asian and African Area Studies, Kyoto Universityアフリカ専攻
: pbk762||Tur200025726191
Note
Includes bibliographical references (p. 377-389), discography (p. 391-392), and index
Description and Table of Contents
Description
Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles ariculated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modelled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music.
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