The writings and letters of Konrad Wolff

書誌事項

The writings and letters of Konrad Wolff

edited by Ruth Gillen ; prologue by Leon Fleisher ; foreword by Russell Sherman ; translations of certain texts from the German by Otto Begus

(Contributions to the study of music and dance, no. 48)

Greenwood Press, 2000

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注記

Includes bibliographical references (p. [263]-264) and index

内容説明・目次

内容説明

Even after acquiring the Doctor of Laws degree from both the University of Berlin and the Sorbonne (discussed in a letter, along with the effects of living in Europe during the Nazi era), Konrad Wolff's enthusiasm for music was so overwhelming that he became a professional musician in his mid-thirties. That enthusiasm is contagious. The more one reads his work, the more one understands music, but perhaps of greater importance, the more one loves it. This is the only collection of a substantial quantity of his prolific writings (many never published before) under one cover. With almost 200 musical illustrations and his engaging style of writing, teachers, students, and sophisticated music lovers will find articles such as Schubert's Reaction to Beethoven, Bach's Last Work, and Beethovenian Dissonances in Listz's Piano Music a pleasurable read and an easy way to learn. Correspondence with Sviatoslav Richter, among others, and a brilliant debate between Wolff and Alfred Brendel are unique contributions. Also impressive is the breadth of Wolff's culture. As one scholar who had read the manuscript exclaimed: The writing is so brilliant that it can be applied to fields other than music, as well.

目次

Prologue by Leon Fleisher Foreword by Russell Sherman Composers Frescobaldi Bach Bach-Reger Mozart Beethoven Schubert Schumann Liszt Stravinsky Letters: Paul Badura-Skoda (review of Schnabel's Interpretation of Piano Music), Paul Henry Lang, Rudolf Serkin, Leon Fleisher, Arthur Schnabel, Sviatoslav Richter Miscellany Christmas Music Music Appreciation, etc. The Brendel-Wolff "Debate" Notes Bibliography Index

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