Writing, voice, and the proper : Jules Vallès and the politics of orality
著者
書誌事項
Writing, voice, and the proper : Jules Vallès and the politics of orality
(Faux titre, no. 154)
Rodopi, 1998
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [215]-220) and index
内容説明・目次
内容説明
How does literature give voice to the political? In what ways does it articulate a political dimension? For Jules Valles (1832-1885), member of the Paris Commune of 1871 and editor of Le Cri du Peuple, author of the autobiographical trilogy, L'Enfant (1878), Le Bachelier (1881), and L'Insurge (1886), the politics of literature is literally a matter of the voice, for it is inherent to the voice as matter: the grain of the voice, the physical trace of the voice in writing, the voice as a heterogeneous effect of writing. An indispensable work for all those interested in autobiographical voice and orality in literature, this study offers both a comprehensive theoretical reflection on the problem of orality and an innovative reading of Valles disruptive literary voice, of his seminally modern aspiration toward a wide-ranging politics of contestation through the liberation of oral desire. A work of mordant irony and consuming passion, of prodigious wordplay and scatological humor, Valles's trilogy revels in oral pleasure, in disfiguring improprieties of language that culminate in revolution. In Valles's journalism as coup de gueule, in the physical embodiment of a revolutionary voice of the people, it is ultimately a utopic politics of orality that takes shape in the trilogy, one that strives toward radical popular action in the materiality of the voice, at the limit of the body in language: Le Cri du Peuple.
目次
The Impropriety of Writing: Textual Victimization and Counter-Narrative. 1. Les Victimes du Livre. 2. Autobiography, Signature and the Proper Name. 3. Education, the Mother and Counter-Narrative. 4. Fiction vs. the Classics - the Play of Victimization. II. The Inscription of Orality and the Dis-figurative Voice. 1. Voice and the Destabilization of the Speaking Subject. 2. The Inscription of Orality. III. Orality as Consumption: Capital Gains and Textual Loss. 1. Wasteful Consumption and the Displacement of Value. 2. Consuming the Text: Counter-Narrative and Journalism. IV. Le Cri du Peuple: Revolution and the Politics of Orality. 1. Peasant Consumption. 2. Revolutionary Victimization and the Emergence of Le Peuple. 3. Le Cri du Peuple. 4. Infinite Revolutionary Consumption and the Textual Tomb. Works Cited. Index.
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