European cinema : an introduction
著者
書誌事項
European cinema : an introduction
Palgrave, 2000
- : hbk
- : pbk
大学図書館所蔵 全11件
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780333752098
内容説明
The survival of cinema in Europe and the analysis of its heritage are key issues for the new century. This book asks how we can define European cinema and how it should be studied. It provides an overview of the problems, traditions and key questions that have informed the study of European cinema, investigating the links and tensions between Europe and Hollywood and exploring the different experiences of national identities within a common European framework.
Twelve case studies of individual European films ranging from The Battleship Potemkin and The Lodger, to La Haine and Trainspotting, illustrate the distinctiveness and variety of cinema in Europe as well as the various critical methods by which it can be studied.
With its detailed analysis of films from several European countries including Britain and Russia, the book encourages a comparative approach and raises urgent questions about the future of European cinema in the context of globalization. It will be of interest to students in Film Studies, European Studies and Modern European Languages and Cultures.
目次
- Introduction.- PART ONE.- European Cinema: Economics and Politics.- European Cinema: Ideology, Aesthetics and Style.- References and Suggestions for Further Reading.- PART TWO: CASE STUDIES.- Bronenosets Potemkin/Potyomkin (The Battleship Potemkin)
- B.Beumers.- The Lodger
- S.Street.- La Règle du jeu
- J.Forbes.- Ossessione
- D.Duncan.- Viridiana
- A.McDermott .- Alice in den Städten (Alice in the Cities)
- S.Taberner.- Carmen
- A.McDermott.- Good Morning Babilonia
- D.Duncan.- Das Versprechen (The Promise)
- S.Taberner.- La Haine
- J.Forbes.- Trainspotting
- S.Street.- Sibirskii tsiriul'nik (The Barber of Siberia)
- B.Beumers.- Notes on Contributors.- Index.
- 巻冊次
-
: pbk ISBN 9780333752104
内容説明
The survival of cinema in Europe and the analysis of its heritage are key issues for the new century. This book asks how we can define European cinema and how it should be studied. It provides an overview of the problems, traditions and key questions that have informed the study of European cinema, investigating the links and tensions between Europe and Hollywood and exploring the different experiences of national identities within a common European framework.
Twelve case studies of individual European films ranging from The Battleship Potemkin and The Lodger, to La Haine and Trainspotting, illustrate the distinctiveness and variety of cinema in Europe as well as the various critical methods by which it can be studied.
With its detailed analysis of films from several European countries including Britain and Russia, the book encourages a comparative approach and raises urgent questions about the future of European cinema in the context of globalization. It will be of interest to students in Film Studies, European Studies and Modern European Languages and Cultures.
目次
- Introduction.- PART ONE.- European Cinema: Economics and Politics.- European Cinema: Ideology, Aesthetics and Style.- References and Suggestions for Further Reading.- PART TWO: CASE STUDIES.- Bronenosets Potemkin/Potyomkin (The Battleship Potemkin)
- B.Beumers.- The Lodger
- S.Street.- La Regle du jeu
- J.Forbes.- Ossessione
- D.Duncan.- Viridiana
- A.McDermott .- Alice in den Stadten (Alice in the Cities)
- S.Taberner.- Carmen
- A.McDermott.- Good Morning Babilonia
- D.Duncan.- Das Versprechen (The Promise)
- S.Taberner.- La Haine
- J.Forbes.- Trainspotting
- S.Street.- Sibirskii tsiriul'nik (The Barber of Siberia)
- B.Beumers.- Notes on Contributors.- Index.
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