Facing the public : portraiture in the aftermath of the French Revolution
著者
書誌事項
Facing the public : portraiture in the aftermath of the French Revolution
（The barber institute's critical perspectives in art history series）
Manchester University Press, 2000
- : pbk
- : hbk
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注記
Bibliography: p. [209]-223
Includes index
内容説明・目次
内容説明
This work examines the effect of the French Revolution on portrait painting. Portraits were the most widely commissioned paintings in 18th-century France. But most portraits were produced for private consumptions, and were therefore seen as inferior to art designed for public exhibition. The Revolution endowed private values with an inprecedented significance, and the way people responded to portraits changed as a result. Art historians have traditionally concentrated on art associated with the public events of the Revolution. Ironically, it was public art whose production was most disrupted by political developments. Seen from the perspective of portrait production, this history of art during the Revolution looks very different, and the significance of the Revolution for attitudes to art and artists in the 19th century and beyond becomes clearer.
目次
- Portrait painting for the old regime
- portraits on exhibition - the revolution
- artists and other heroes
- private life as public spectacle
- the advent of the academic outsider
- private art in an age of dictatorship
- public authority in an age of dictatorship -portraits of Bonaparte as First Consul
- the portraitist's career -redefining status.
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