The new maiolica : contemporary approaches to colour and technique
著者
書誌事項
The new maiolica : contemporary approaches to colour and technique
University of Pennsylvania Press, 1999
- : alk. paper
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Selected by Choice magazine as an Outstanding Academic Book for 2000
The practice of tin glaze spans thousands of years of history, from its inception in Mesopotamia, through its flowering in Islamic culture, its brilliant heyday during the Italian Renaissance, and its current active revival around the world. It has always been a medium both varied and expressive that has inspired ceramists and artists alike over the centuries to ply their brushes in an exuberance of painted decoration and narrative. Within the field of ceramics, maiolica, with its stable color-holding glaze surface, is unique as a medium-indeed, it has been called a painter's medium.
The New Maiolica is conceived by Matthias Ostermann as a workshop in print, guiding the reader progressively through some of the conceptual, material, and technical concerns that inform this versatile and compelling medium.
The work of more than fifty international ceramists is shown, giving evidence to the great variety of contemporary expression in tin glaze. There is also an examination of the problems that can occur in maiolica production, and suggested solutions, followed by a list of recommended reading, with food for philosophical, aesthetic, and technical thought.
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