Gendering landscape art
著者
書誌事項
Gendering landscape art
（The barber institute's critical perspectives in art history series）
Manchester University Press, 2000
- : hbk
- : pbk
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注記
Includes bibliographical references (p. [186]-188) and index
内容説明・目次
内容説明
While gender has been the subject of extensive critical enquiry, the debate has focused primarily on the human, particularly the female, body. The spaces bodies occupy and the ways in which those spaces are depicted in landscape art has not, however, been subject to investigation. This book is the first sustained attempt to fill this gap in art history. Using approaches informed by cultural studies, feminism and psychoanalysis, this collection of essays charts the ways in which artists from the late eighteenth century to the present have used notions of femininity and masculinity to understand and interpret the landscape and how it is represented. The book should be of interest to students and scholars of art history, cultural and gender studies, environmental studies and geography, as well as the general reader interested in new departures in the study of landscape art.
目次
- Signs of recovery - landscape painting and masculinity in nineteenth century France
- technique and gender - landscape, ideology and the Art of Monet in the '90s
- the marketing of Helen Allingham - the English cottage and national identity
- in the bleaching fields - gender, landscape and modernity in the Netherlands 1880-1920
- landscape, space and gender - their role in the construction of female identity in newly independent Ireland
- Soviet superwoman in the landscape of liberty - Aleksandr Deineka's Razdole, 1944
- landscape, masculinity and interior space between the wars
- Cezanne's maternal landscape and its gender
- Robert Smithson's technological sublime - alterities and the female earth
- gender in perspective - the parable of the King and Queen's visit to the Panorama in 1793
- "Ain't Going Nowhere" - Richard Long - global explorer
- trash - public art by the Garbage Girls.
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