Musicology and sister disciplines : past, present, future : proceedings of the 16th International Congress of the International Musicological Society, London, 1997
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Bibliographic Information
Musicology and sister disciplines : past, present, future : proceedings of the 16th International Congress of the International Musicological Society, London, 1997
Oxford University Press, 2000
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Note
Principally in English; includes contributions in French, German, Italian, and Spanish
Includes index
Description and Table of Contents
Description
Drawing on the work of leading experts from around the globe, Musicology and Sister Disciplines provides the definitive, authoritative statement on the scope of musicology today and its relationship to other fields of academic endeavour, including philosophy and aesthetics, literary studies, art history, mathematics, computer science, historiography, and sociology.
Presenting the Proceedings of the 16th Congress of the Musicological Society, held in London in 1997, Musicology and Its Sister Disciplines demonstrates how in recent years the scope of musicology has expanded to embrace such areas as semiotics, gender studies, and computer applications. All these key related disciplines are discussed - together with the implications of the so-called new musicology - alongside the traditional concerns of the discipline. Music is represented in all its
forms, including jazz, popular music, film music, and the music of different ethnic groups and the broad-ranging theme of the collection is established at the outset by two keynote papers, by philosopher Bernard Williams and mathematician Roger Penrose. The volume contains the full texts of the Keynote
Papers and Round Table sessions, reports on the Study sessions, and abstracts of the Free Papers and Poster Sessions.
Table of Contents
- PART 1: KEYNOTE PAPERS
- PART 2: ROUND TABLES
- ROUND TABLE 1: PERCEPTION AND COGNITION
- ROUND TABLE 2: LITERARY STUDIES
- ROUND TABLE 3: DIRECTIONS IN MUSICOLOGY
- ROUND TABLE 4: HISTORIOGRAPHY
- ROUND TABLE 5: SOCIOLOGY
- ROUND TABLE 6: PHILOSOPHY
- ROUND TABLE 7: CULTURAL POLITICS
- PART 3: REPORTS ON STUDY SESSIONS
- PART 4: ABSTRACTS OF FREE PAPERS
- SESSION 1: LITURGY AND HOMILETICS
- SESSION 2: THE HISTORIOGRAPHY OF EARLY MUSIC
- STUDY SESSION 3: EIGHTEENTH-CENTURY OPERA
- SESSION 4: BROADCASTING AND THE MEDIA
- SESSION 5: EARLY POLYPHONY
- SESSION 6: THE SIXTEENTH-CENTURY TRADITION
- SESSION 7: ANALYSIS OF NINETEENTH-CENTURY MUSIC
- SESSION 8: METHODOLOGIES
- SESSION 9: THE FIFTEENTH-CENTURY TRADITION
- SESSION 10: BAROQUE SACRED MUSIC
- SESSION 11: MUSIC AND SOCIETY IN THE NINETEENTH CENTURY
- SESSION 12: NEW MUSIC
- SESSION 13: EARLY THEORY AND MUSIC
- SESSION 14: MUSIC AND SOCIETY AROUND 1700
- SESSION 15: NINETEENTH-CENTURY TOPICS
- SESSION 16: TECHNOLOGY AND SYSTEMATIC MUSICOLOGY
- SESSION 17: GLUCK AND EIGHTEENTH-CENTURY AESTHETICS
- GLUCK'S L'IPHIGENIE EN AULIDE (1774-5): RECEPTION AND REVISION
- SESSION 18: THE EIGHTEENTH-CENTURY TRADITION
- SESSION 19: EARLY TWENTIETH CENTURY
- SESSION 20: ETHNOLOGY
- SESSION 21: RENAISSANCE SOURCE STUDIES
- SESSION 22: OPERA AROUND 1700
- SESSION 23: TWENTIETH-CENTURY TOPICS
- SESSION 24: JAZZ AND POP
- SESSION 25: SEVENTEENTH-CENTURY TOPICS
- SESSION 26: EIGHTEENTH-CENTURY INSTRUMENTAL MUSIC
- SESSION 27: NINETEENTH-CENTURY OPERA
- SESSION 28: TRANSNATIONALISM
- SESSION 29: HILDEGARD OF BINGEN
- SESSION 30: EARLY DANCE
- SESSION 31: EARLY TWENTIETH-CENTURY USA
- SESSION 32: EARLY TWENTIETH-CENTURY FRANCE
- SESSION 33: RENAISSANCE THEORY
- SESSION 34: SCHUBERT AND SONG
- SESSION 35: MUSIC AND LITERATURE: TWENTIETH CENTURY
- SESSION 36: NATIONALISM
- PART 5: ABSTRACTS OF POSTER SESSIONS
- SESSION 1: ANALYTICAL APPLICATIONS
- SESSION 2: NEW COMPUTER APPLICATIONS IN MUSICOLOGY
- SESSION 3: DATABASES
- SESSION 4: MULTIMEDIA
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