Italian Gothic sculpture : c.1250-c.1400

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Italian Gothic sculpture : c.1250-c.1400

Anita Fiderer Moskowitz

Cambridge University Press, 2001

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Moskowitz examines the sculpture produced in a variety of genres and media throughout the Italic peninsula, from the late medieval period until the beginning of the early modern era. Arguing that Italian Gothic sculpture is neither a provincial offshoot of northern Gothic art, nor a mere preparation for the Early Renaissance, she demonstrates that this body of art works is distinguished by a unique visual language and syntax. Tracing the developments of Italian sculpture, from Nicola Pisano's arrival in Tuscany around 1260 through the end of the fourteenth century, this volume surveys developments in Central Italy as well as those in Naples, Compania, Lombardy and the Veneto. This study incorporates the most recent scholarly findings, including archival and archaeological discoveries, and restoration and conservation efforts. The book also addresses broad questions of politics, patronage, and piety.

目次

  • Introduction
  • 1. Geography and politics
  • 2. Economic growth, socio-religious developments, and the intellectual milieu
  • 3. The practice of sculpture
  • 4. Italian Gothic sculpture: the background
  • 5. Nicola Pisano
  • 6. Arnolfo di Cambio
  • 7. Giovanni Pisano
  • 8. Alternative currents
  • 9. Tino di Camaino in Tuscany
  • 10. Sienese sculpture after Tino
  • 11. Orvieto and 'Lorenzo Maitani'
  • 12. Andrea Pisano
  • 13. Giovanni di Balduccio in Tuscany
  • 14. The second half of the Trecento
  • 15. Tino di Camaino
  • 16. Giovanni and Pacio Bertini da Firenze
  • 17. The second half of the Trecento and beyond
  • 18. Lombard sculpture before 1334
  • 19. Azzone Visconti and Giovanni di Balduccio in Milan
  • 20. Campionese masters of mid-century
  • 21. Lombard assimilation of Tuscan style
  • 22. Gian Galeazzo Visconti and the international Gothic current
  • 23. Venetian sculpture, 1300-1340
  • 24. Andriolo de Santi
  • 25. The sculpture of the Palazzo Ducale
  • 26. Jacobello and Pierpaolo dalle Masegna
  • 27. Verona
  • 28. Pulpits
  • 29. The sculptured Cathedral Facade
  • 30. Tombs
  • 31. Developing a Master's Oeuvre
  • 32. An apparent forgery and a noteworthy imitation
  • 33. A hypothetical reconstruction.

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