Musical women in England, 1870-1914 : "Encroaching on all man's privileges"
著者
書誌事項
Musical women in England, 1870-1914 : "Encroaching on all man's privileges"
Macmillan, c2000
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注記
Includes bibliography (p. [287]-306) and index
内容説明・目次
内容説明
The roles women played in the flourishing music world of late Victorian and early 20th century England show how contemporary challenges to restrictive gender roles inspired women to move into new areas of musical expression, both in composition and performance. The most famous women musicians were the internationally renowned stars of opera. Greatly admired despite their violations of the prescribed Victorian linkage of female music making with domesticity, the divas were often compared to the sirens of antiquity, their irresistible voices a source of moral danger to their male admirers. Their ambiguous social reception notwithstanding, the extraordinary ability and striking self-confidence of these women and of pioneering female soloists on the violin, long an instrument permitted only to men, inspired fiction writers to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study.
Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small emsembles and in all female and amateur orchestras, and sought to earn their living in the overcrowed world of music teaching.
目次
Introduction: Music and the Female Sphere Music and 'Women's Mission' in Late-Victorian Philanthropy Talents Discovered and Rewarded: Female Recipients of Music Philanthropy Woman and the Devil's Instrument The New Woman and Her Violin Immortal Tones: Woman as Public Singer Music as a Profession for Women
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