Edward Bond letters
著者
書誌事項
Edward Bond letters
（Contemporary theatre studies, v. 5,
Harwood Academic Publishers, c1994-
- hbk. : v. 1
- sbk. : v. 1
- hbk. : v. 3
- sbk. : v. 3
- v. 4
- v. 5
- 統一タイトル
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Correspondence
大学図書館所蔵 件 / 全3件
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該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references and index
v. 4: 23 cm
Publishers is various: Routledge
内容説明・目次
- 巻冊次
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v. 5 ISBN 9780415270205
内容説明
Edward Bond Letters 5 contains over thirty letters and papers covering Bond's controversial views on violence and justice, plays, writers and directors, and a postscript that is Bond's discussion of the funeral of Diana, Princess of Wales.
As always the explosive content of these letters applies to Bond's plays and society as a whole. We learn through these absorbing letters his attitude to violence. Bond believes that all violence is the manifestation of an unbalanced and dangerous society.
As with the four preceding volumes in this collection, Edward Bond is critical of our present theatre, but at the same time his observations are useful in indicating how theatre can be changed. Bond's illustrations provide a lively accompaniment to the letters.
- 巻冊次
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hbk. : v. 1 ISBN 9783718655038
内容説明
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
目次
Part 1 Acting and directing: letter to - Michael Fuller, Mark Ellis, Nigel Jamieson, Oleg Yefremov, Calum Mac Crimmon, Patricia Bond. Part 2 Theatre events: letter to - Moshen Baraket, John Clemo, Benjamin May, Peter Smith. Part 3 Politics: letter to - Ria Julian, Gulsen Sayin, Roberta Galeotti, Ahmed Elhag, Geoff Gillham, Hilde Klein, Benjamin May. Part 4 Productions: letter to - Ian Stuart, Adrian Noble, David Jansen, Max Stafford-Clark, Ruby Cohn.
- 巻冊次
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sbk. : v. 1 ISBN 9783718655045
内容説明
First Published in 1994. Edward Bond Letters, Volume V, contains over thirty letters and papers covering Bond's controversial views on violence and justice, plays, writers and directors, and a postscript that is Bond's discussion of the funeral of Diana, Princess of Wales. The explosive content of these letters applies to Bond's plays and society as a whole; Bond believes that all violence is the manifestation of an unbalanced and dangerous society. As with the four preceding volumes in this collection, Edward Bond is critical of present theatre, but at the same time his observations are useful in indicating how theatre can be changed. Bond's illustrations provide accompaniment to the letters.
目次
Part 1 Acting and directing: letter to - Michael Fuller, Mark Ellis, Nigel Jamieson, Oleg Yefremov, Calum Mac Crimmon, Patricia Bond. Part 2 Theatre events: letter to - Moshen Baraket, John Clemo, Benjamin May, Peter Smith. Part 3 Politics: letter to - Ria Julian, Gulsen Sayin, Roberta Galeotti, Ahmed Elhag, Geoff Gillham, Hilde Klein, Benjamin May. Part 4 Productions: letter to - Ian Stuart, Adrian Noble, David Jansen, Max Stafford-Clark, Ruby Cohn.
- 巻冊次
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hbk. : v. 3 ISBN 9783718657483
内容説明
This volume focuses on "Saved and the Pope's Wedding", a radio production of "The Fool" (1990), "The Company of Men" (1993) and the television plays "Olly's Prison" (1992) and "Tuesday" (1993) and provides background information for both the student and the general reader.
- 巻冊次
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sbk. : v. 3 ISBN 9783718657490
内容説明
First Published in 1997. Edward Bond Letters, Volume III, includes sections on the important areas of writing and translating as well as continuing to trace Bond's interest in productions of his work. Focusing on The Pope's Wedding and Saved, a radio production of The Fool (1990), In the Company of Men (1992) and the television plays - Olly's Prison (1993) and Tuesday (1993) - this lively and thought-provoking volume of Edward Bond's letters provides useful background information for both the student and the general reader.
- 巻冊次
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v. 4 ISBN 9789057550324
内容説明
Edward Bond Letters, Volume IV, focuses on four significant areas of Edward Bond's work: education, imagination and the child; theatre-in-education; At the Inland Sea; language and imagery. The letters represent a coruscating attack on our present society, as well as offering insights into how the situation might be improved.
Bond's letters attack modern education, arguing that "children are being educated to sell themselves" and suggesting that social problems are caused by an oppression of the imagination.
Many letters refer directly to a play - for instance Tuesday, which presents an assessment of the many difficulties faced by contemporary society. The language and imagery of one of Bond's most recent plays, In the Company of Men, is animatedly discussed, and Bond reminds us in a final description that "the good image is always absent, because it is present in the mind.
目次
- Chapter 1 Education, Imagination and the Child
- Chapter 2 Theatre-in-Education
- Chapter 3 "At the Inland Sea"
- Chapter 4 Language and Imagery in 'Lear" and "In the Company of Men"
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