Genesis of a music : an account of a creative work, its roots and its fulfillments
著者
書誌事項
Genesis of a music : an account of a creative work, its roots and its fulfillments
（A Da Capo paperback）
Da Capo Press, 1979
2nd ed. enl
- : pbk
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注記
"First paperback edition 1979"
"This Da Capo Press paperback edition of Genesis of a music is an unabridged republication of the second enlarged edition published by Da Capo Press in New York in 1974"--T.p. verso"
Includes bibliographical references and index
内容説明・目次
内容説明
Among the few truly experimental composers in our cultural history, Harry Partch's life (1901-1974) and music embody most completely the quintessential American rootlessness, isolation, pre-civilized cult of experience, and dichotomy of practical invention and transcendental visions. Having lived mostly in the remote deserts of Arizona and New Mexico with no access to formal training, Partch naturally created theatrical ritualistic works incorporating Indian chants, Japanese kabuki and Noh, Polynesian microtones, Balinese gamelan, Greek tragedy, dance, mime, and sardonic commentary on Hollywood and commercial pop music of modern civilization. First published in 1949, Genesis of a Music is the manifesto of Partch's radical compositional practice and instruments (which owe nothing to the 300-year-old European tradition of Western music.) He contrasts Abstract and Corporeal music, proclaiming the latter as the vital, emotionally tactile form derived from the spoken word (like Greek, Chinese, Arabic, and Indian musics) and surveys the history of world music at length from this perspective. Parts II, III, and IV explain Partch's theories of scales, intonation, and instrument construction with copious acoustical and mathematical documentation. Anyone with a musically creative attitude, whether or not familiar with traditional music theory, will find this book revelatory.
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