Twentieth-century art of Latin America
著者
書誌事項
Twentieth-century art of Latin America
University of Texas Press, c2001
- : hc
- : pbk
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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  フランス
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注記
Includes bibliographical references(p. [359]-372) and index
内容説明・目次
- 巻冊次
-
: hc ISBN 9780292708570
内容説明
The twentieth-century art of Latin America is art in the western tradition, and its leading figures - Wifredo Lam, Roberto Matta, Diego Rivera, Joaquin Torres-Garcia, to name only a few - have achieved international stature. Yet much of the writing about this art has offered either a victimized view of an art tradition dominated by foreign models or a romanticized view of what Latin American art should be.This pathfinding book, by contrast, seeks not to 'invent' Latin American art but to look at it from the points of view of its own artists and critics. Drawing on some forty years of studying and teaching Latin American art, Jacqueline Barnitz surveys the major currents and artists of the twentieth century in Mexico, the Caribbean, and South America (including Brazil). She progresses chronologically from modernism and the break with nineteenth-century academic art to some of the trends of the 1980s, setting each movement within its historical and cultural contexts.This grand survey of modern Latin American art will thus be the essential guide to a vibrant art tradition, as well as a vital teaching tool.
Lavishly illustrated with color and black-and-white reproductions of major works, it will be useful to artists, collectors, historians, writers, and social scientists, as well as art historians. Jacqueline Barnitz is Professor of Modern Latin American Art at the University of Texas at Austin.
- 巻冊次
-
: pbk ISBN 9780292708587
内容説明
The twentieth-century art of Latin America is art in the western tradition, and its leading figures - Wifredo Lam, Roberto Matta, Diego Rivera, Joaquin Torres-Garcia, to name only a few - have achieved international stature. Yet much of the writing about this art has offered either a victimized view of an art tradition dominated by foreign models or a romanticized view of what Latin American art should be. This pathfinding book, by contrast, seeks not to "invent" Latin American art but to look at it from the points of view of its own artists and critics. Drawing on some forty years of studying and teaching Latin American art, Jacqueline Barnitz surveys the major currents and artists of the twentieth century in Mexico, the Caribbean, and South America (including Brazil). She progresses chronologically from modernismo and the break with nineteenth-century academic art to some of the trends of the 1980s, setting each movement within its historical and cultural contexts. This grand survey of modern Latin American art will thus be the essential guide to a vibrant art tradition, as well as a vital teaching tool.
Lavishly illustrated with color and black-and-white reproductions of major works, it will be useful to artists, collectors, historians, writers, and social scientists, as well as art historians. Jacqueline Barnitz is Professor of Modern Latin American Art at the University of Texas at Austin.
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