Women, theatre and performance : new histories, new historiographies
著者
書誌事項
Women, theatre and performance : new histories, new historiographies
（Women, theatre and performance / series editors, Maggie B. Gale and Viv Gardner）
Manchester University Press, c2000
- : hdc
- : pbk
大学図書館所蔵 全8件
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: hdc ISBN 9780719057120
内容説明
The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schroeder-Devrient, the Comedie Francais' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. -- .
- 巻冊次
-
: pbk ISBN 9780719057137
内容説明
The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schroeder-Devrient, the Comedie Francais' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. -- .
目次
1. Reading the intertheatrical or, the mysterious disappearance of Susanna CentilitreJacky Bratton
2. The invisible spectatrice: Gender, geography and theatrical space - Viv Gardner
3. Theatre history, historiography and women's dramatic writing - Susan Bennett
4. Wilhemine Schroeder-Devrient: Wagner's theatrical muse - Susan A. Rutherford
5. Memories of Plessy: Henry James re-stages the past - John Stokes
6. Elizabeth Robins: Hysteria, politics and performance - Joanna Townsend
7. From fame to obscurity: In search of Clemence Dane - Maggie B. Gale
8. Workshop to mainstream: Women's playwriting in the contemporary British theatre - John Deeney
9. Feminists perform their past: Constructing history in The Heidi Chronicles and The Break of Day - Charlotte Canning
10. No space of our own? Margaret Macnamara, Alma Brosnan, Ruth Dodds and the ILP Arts Guild - Ros Merkin
11. Comic militancy: The politics of suffrage drama - Susan Carlson
12. The gender of Russian Serf theatre and performance - Catherine Schuler -- .
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