Art in France : 1900-1940
著者
書誌事項
Art in France : 1900-1940
(Yale University Press Pelican history of art)
Yale University Press, 2000
- : cloth
- : pbk
大学図書館所蔵 全21件
  青森
  岩手
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  福島
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  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
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注記
Includes bibliographical references (p. [306]-311) and index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780300084016
内容説明
Art in France developed in ways that were of paramount importance to twentieth-century art during the four decades between the Exposition Universelle of 1900 and the invasion of France in 1940. This enormously innovative and informative study of those developments breaks new ground by setting them within the frameworks both of their unstable social, political, and intellectual world and of the official and "independent" institutions of art.
Christopher Green moves from the great Paris Exhibitions of 1900, 1925, and 1937 as representations of France and a critical examination of modern movements-Fauvism,Cubism, Surrealism-to the questions raised by artists' relationships with the state, the critics, and the rapidly expanding dealer system, as well as the problems met by foreign and women artists making careers in France. In this context, he is able to develop a new analysis of innovation within the practices of artists ranging from Matisse to Picasso and from Duchamp to Dali, one that pays attention to the reactionary as well as the radical. Major themes are tackled in fresh interpretations of the work produced within these unprecedented developments: modernity, in relation both to technological progress and to gender and social class; tradition and the idea of the nation around the twin traumas of the Great War and the rise of Fascism; and the assault against the ideals of both modernity and civilization launched by artists committed to "the primitive" and to the new, challenging notions of identity and sexuality derived from psychoanalysis.
The book can be a starting point for newcomers to this important field and at the same time opens the subject up in new ways that will engage the more expert reader too.
- 巻冊次
-
: pbk ISBN 9780300099089
内容説明
During the decades from 1900 to 1940, art in France developed in ways that were of paramount importance to twentieth-century art. This innovative and abundantly illustrated book sets these developments within the framework of the unstable social, political, intellectual, and artistic worlds of the time and analyzes the innovations of artists ranging from Matisse to Picasso, Duchamp to Dali.
"Revelatory art history."-Timothy Mathews, Times Higher Education Supplement
"Lavishly illustrated with beautiful works of art. . . . Especially strong and inviting is the section dealing with the 'lives' of artists, poets, art dealers, and collectors. Green writes well about a variety of topics: among them, tradition, modernity, the city. It is fascinating to see such figures as Matisse and Picasso reemerging throughout the book in these various contexts."-Virginia Quarterly Review
"The clarity of Green's writing, and his ability to identify key issues easily and to approach them from different directions make his book, in sum, splendidly discursive and fascinating. It will give excellent value to any student seeking the essence of the period, now and for some years to come."-Julian Freeman, The Art Book
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