Bibliographic Information

Australian art

Andrew Sayers

(Oxford history of art, World art)

Oxford University Press, 2001

Available at  / 17 libraries

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Note

Includes bibliographical references (p. 238-240) and index

Description and Table of Contents

Description

This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas to Sidney Nolan, are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.

Table of Contents

  • 1. Art and the Dreaming
  • 2. The lines of empire 1788-1835
  • 3. The pursuit of knowledge 1835-1870
  • 4. Colonial art worlds 1851-1888
  • 5. What should Australian artists paint? 1885-1900
  • 6. Beautifying the objects of our daily life
  • art and decorative art 1890-1920
  • 7. Order and transcendence
  • art between the wars 1919-1939
  • 8. Aboriginal art and its reception 1934-1949
  • 9. Art, myth, and society
  • the Australian avant garde 1939-1950
  • 10. Icon and abstraction 1951-1968
  • 11. Saying and seeing
  • contemporary art 1968-1999
  • Notes
  • Timeline
  • Bibliographic Essay
  • Museums and Websites
  • List of Illustrations
  • Index

by "Nielsen BookData"

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Details

  • NCID
    BA51803505
  • ISBN
    • 0192842145
  • Country Code
    uk
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Oxford
  • Pages/Volumes
    v, 257 p.
  • Size
    24 cm
  • Parent Bibliography ID
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