Islam and the Italian renaissance
Author(s)
Bibliographic Information
Islam and the Italian renaissance
(Warburg Institute colloquia, 5)
The Warburg Institute, 1999
- : pbk
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
English, French and Italian
Includes bibliographical references and index
Description and Table of Contents
Description
This volume considers aspects of the reciprocal influences between Italian Renaissance culture and that of the Islamic world. The papers on science and philosophy reflect Western scholars' interest in Arabic texts while those on the visual and decorative arts describe the impact of Islamic artefacts, techniques and models on Europe as much as the effects of European influences on Islam. The natural focus of the volume is on Venice and Turkey, but other Italian centres are brought into view and, on the Islamic side, the investigation also encompasses Egypt and Syria under the Mamluks, Persia under the Mongols, Timurids and Safavids, and Mughal India.
Table of Contents
- Artistic contacts - current scholarship and future tasks, Anna Contadini
- Byzantine mediation of epigraphic characters of Islamic derivation in the wall paintings of some churches in Southern Italy, Maria Vittoria Fontana
- Venice - heir to the glassmakers of Islam or of Byzantium, Hugh Tait
- Ebrei, turchi e veneziani a Rialto. Qualche documento sui tessili, Giovanni Curatola
- the "Baptistere de Saint Louis" - a Mamluk basin made for export to Europe, Rachel Ward
- ornament prints, patterns and designs east and west, Michael Rogers
- the just hunter - Renaissance calendar illustrations and the representations of the Mughal Hunt, Ebba Koch
- the second revelation of Arabic philosophy and science - 1492-1562, Charles Burnett
- le iscrizioni arabe nella "Poliphili Hypnerotomachia", Angelo Michele Piemontese
- the "Liber aggregatus in medicinis simplicibus" of pseudo-Serapion - an influential work of medical Arabism, Peter Dilg.
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