Seurat : drawings and paintings
著者
書誌事項
Seurat : drawings and paintings
Yale University Press, c2001
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Includes bibliographical references (p.[187]-189) and index
内容説明・目次
内容説明
Georges Seurat, painter of Sunday on the Island of La Grande Jatte, had a meteoric career that ended in 1891 with his death at age 31. In this generously illustrated book, the leading specialist on Seurat examines the entire range of the artist's work, focusing on individual paintings and drawings and interpreting the personal and social meanings of their subjects. Robert L. Herbert examines closely Seurat's early oil panels of rural and suburban settings, early drawings of Parisians at work and leisure, and later canvases and drawings of cafe-concerts and circuses. Showing that Seurat's work drew on classical tradition as well as on popular arts, Herbert reevaluates the artist's painting technique and argues that individual pictures reveal artistic craft and trial and error rather than a 'scientific' nature. And he demonstrates that although Seurat's drawings and paintings have striking formal structures, they are not 'abstract', but rather poetic distillations of social and psychological meanings.
This collection of the most influential of Herbert's writings on Seurat, long out of print, bear out the praise he has received for 'his ability to mix a deep knowledge of paintings and drawings as physical objects with an acute awareness of the way they embody ideas and can be understood as social documents' (Jack Flam, New York Review of Books). This attractive book will appeal both to the general reader and to the student of French nineteenth-century art.
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