Introduction to post-tonal theory
著者
書誌事項
Introduction to post-tonal theory
Prentice Hall, c2000
2nd ed
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
For undergraduate/graduate-level courses in Twentieth-Century Techniques and Post-Tonal Theory and Analysis taken by music majors.
A primer-rather than a survey-this text offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasizing hands-on contact with the music-through playing, singing, listening, and analyzing-it provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the "classical" pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern.
目次
1. Basic Concepts and Definitions.
Analysis 1: Webern, Wie bin ich froh! from Three Songs, Op. 25. Schoenberg, Nacht, from Pierrot Lunaire, Op. 21.
2. Pitch-Class Sets.
Analysis 2: Schoenberg, Book of the Hanging Gardens, Op. 15, No. 11. Bartok String Quartet No. 4, first movement.
3. Some Additional Relationships.
Analysis 3: Webern, Movement for String Quartet, Op. 5, No. 4. Berg, Schlafend tragt man mich, from Four Songs, Op. 2., No. 2.
4. Centricity and Some Important Referential Collections.
Analysis 4: Stravinsky, Oedipus Rex, rehearsal nos. 167-70. Bartok, Sonata, first movement.
5. Basic Twelve-Tone Operations.
Analysis 5: Schoenberg, Suite for Piano, Op. 25, Gavotte. Stravinsky, In Memoriam Dylan Thomas.
6. More Twelve-Tone Topics.
Analysis 6: Webern, String Quartet, Op. 28, first movement. Schoenberg, Piano Piece, Op. 33a.
Appendix 1. List of Set Classes.
Appendix 2. Simplified Set List.
Appendix 3. Index Vectors.
Index.
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