CiNii 図書 - Women, scholarship and criticism : gender and knowledge c.1790-1900

Brings together the varied artistic, critical and cultural productions by women scholars, critics and artists between 1790-1900, many of whom are little known in the canonical histories of the period. Questions the concepts of 'scholarship', 'criticism' and 'artist' across the different disciplines. Women discussed include authors (Mary Wollstonecraft Shelley, Sydney Morgan and Anna Jameson) actresses ( Elizabeth Siddons, Dorothy Jordan, and Mary Robinson) critics ( Margaret Oliphant and Mary Cowden Clarke) historians (Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper and Lucy Toulmin Smith) as well as the writers and readers of Women's magazines, educationalists and translators. Makes a significant and original contribution to the development of gender studies by extending the frontiers of existing knowledge and research. -- .

Introduction - gender and women's history
musing on muses - representing the actress as "artist" in British art of the late eighteenth and early nineteenth centuries
distant prospects and smaller circles - questions of authority in Maria Edgeworth's Irish writings
scholarship and sensibility - Anna Jameson and Sydney Morgan in Siren Land
Mary Shelley as editor of the poems of Percy Shelley
women and education in nineteenth century England
Many Cowden Clarke's "Labours of Love"
women historians and documentary research - Lucy Aikin, Agnes Strickland, Mary Anne Everett Green, and Lucy Toulmin Smith
Margaret Oliphant, "mightier than the mightiest of her sex"
"Hints on Household Taste" and "The Art of Decoration" - authors, their audience and gender in interior design
women, translation and empowerment
"I Love My Sex" - two late-Victorian pulpit women.

巻冊次: : pbk ISBN 9780719057205

内容説明

Brings together the varied artistic, critical and cultural productions by women scholars, critics and artists between 1790-1900, many of whom are little known in the canonical histories of the period. Questions the concepts of 'scholarship', 'criticism' and 'artist' across the different disciplines. Women discussed include authors (Mary Wollstonecraft Shelley, Sydney Morgan and Anna Jameson) actresses ( Elizabeth Siddons, Dorothy Jordan, and Mary Robinson) critics ( Margaret Oliphant and Mary Cowden Clarke) historians (Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper and Lucy Toulmin Smith) as well as the writers and readers of Women's magazines, educationalists and translators. Makes a significant and original contribution to the development of gender studies by extending the frontiers of existing knowledge and research. -- .

Introduction: Gender and Women's History Gill Perry, Anne Laurence, Joan Bellamy Chapter 1: Musing On Muses: Representing The Actress as 'Artist' in British Art of the Late Eighteenth and Early Nineteenth Centuries Gill Perry Chapter 2: Distant Prospects and Smaller Circles: Questions of Authority in Maria Edgeworth's Irish Writings Madeline Thompson Chapter 3: Scholarship and Sensibility: Anna Jameson and Sydney Morgan in Siren Land Chloe Chard Chapter 4: Mary Shelley as Editor of the Poems of Percy Shelley Richard Allen Chapter 5: Women and Education in Nineteenth Century England Rosemary O'Day Chapter 6:Mary Cowden Clarke's Labours of Love Cicely Palser Havely Chapter 7: Women Historians and Documentary Research: Lucy Aikin, Agnes Strickland, Mary Anne Everett Green, and Lucy Toulmin Smith Anne Laurence Chapter 8:Margaret Oliphant, "Mightier than the mightiest of her sex." Joan Bellamy Chapter 9: 'Hints on Household Taste' and 'The Art of Decoration': Authors, Their Audience and Gender in Interior Design Colin Cunningham Chapter 10: Women, Translation and Empowerment Lorna Hardwick Chapter 11: 'I Love My Sex': Two Late-Victorian Pulpit Women Susan Mumm Postscript Bibliography Biographies -- .

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Women, scholarship and criticism : gender and knowledge c.1790-1900

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