Making meaning in Indian cinema

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書誌事項

Making meaning in Indian cinema

edited by Ravi S. Vasudevan

Oxford University Press, 2000

大学図書館所蔵 件 / 全7件

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注記

Summary: Contributed seminar papers

Includes bibliographical references

内容説明・目次

内容説明

This volume brings together some of the most distinguished film theorists working in India today to examine the phenomenon of popular Indian cinema from silent films to today's blockbusters. The articles explore the political implications of Indian popular cinema through formal and narrative analysis, archival resources and oral testimony, across a range of key films.

目次

  • Part 1 The sociology and politics of the cinematic institution: policing silent film exhibition in colonial south India
  • Parasakthi - the life and times of a DMK film. Part 2 The 1950s: melodrama and the paradigms of cinematic modernity
  • shifting codes, dissolving identities - the Hindi social film of the 1950s as popular culture
  • the couple and their spaces - "Harano Sur" as melodrama now. Part 3 The politics of film form in the contemporary era: formal into real consumption? - signs of idelogical reform in two recent films
  • narrating seduction - vicissitudes of the sexed subject in Tamil nativity film
  • "Premikudu" and the politics of resignification - fashion, violence and the body
  • avenging women in Indian cinema
  • from subjectification to schizophrenia - the "angry man" and the "psychotic hero" of the Bombay cinema. Part 4 Indian film, film theory and democracy: viewership and democracy in the cinema
  • devotion and defiance in fan activity.

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