Italy
Author(s)
Bibliographic Information
Italy
（Faber early organ series : European organ music of the 16th & 17th centuries / series editor, James Dalton, v. 16-18）
Faber Music, 1988
- 1517-1599
- c. 1600-1635
- 1615-c. 1700
Printed Music（Other）
Available at / 4 libraries
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Kwassui Women's University Library看図
1517-1599763.3/Dal34001149,
c. 1600-1635763.3/Dal34001150, 1615-c. 1700763.3/Dal34001151 OPAC
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1517-1599C31-70300198577,
c. 1600-1635C31-70400198578, 1615-c. 1700C31-70500198579 -
1517-1599P48/F115/0.01.16110431913,
1615-c. 1700P48/F115/0.01.18110431939, c. 1600-1635P48/F115/0.01.17110431921 -
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Note
For organ
Critical commentary in English, at the end of each volumes
Contents of Works
- 1517-1599. Chi non crede / Andrea Antico
- L'autre jour par un matin / Marc' Antonio Cavazzoni
- Hymn: Christe redemptor omnium / Girolamo Cavazzoni
- Magnificat quarti toni / Girolamo Cavazzoni
- Ave maris stella / Rocco Rodio
- Versi sopra il re / Antonio Valente
- Ricercar del sesto tuono / Sperindio Bertoldo
- Intonazione del sesto tono / Andrea Gabrieli
- Ricercare del settimo tono / Andrea Gabrieli
- Toccata quarta del secondo tuono / Claudio Merulo
- Toccata del quarto tuono / Luzzascho Luzzaschi
- Canzon detta La capricciosa / Vincenzo Pellegrini
- c. 1600-1635. Toccata / Ercole Pasquini
- Seconde stravaganze / Giovanni de Macque
- Ricercar primo / Ascanio Mayone
- Toccata quarta / Ascanio Mayone
- Canzona franzesa settima cromatica / Giovanni Maria Trabaci
- Toccata prioma à quattro / Giovanni Maria Trabaci
- Canzon quarta: La pace / Giovanni Paolo Cima
- Ricercare à quattro / Giovanni Paolo Cima
- Ricercare del settimo tuono / Girolamo Diruta
- Gloria in excelsis / Adriano Banchieri
- Prima toccata del terzo tuono autentico alla levatione del Santissimo Sacramento / Adriano Banchieri
- Secondo dialogo / Adriano Banchieri
- Toccata avanti la Messa della Domenica / Girolamo Frescobaldi
- Kyrie della Domenica / Girolamo Frescobaldi
- Toccata cromatica per le levatione / Girolamo Frescobaldi
- Canzon post il comune / Girolamo Frescobaldi
- 1615-c. 1700. Toccata sesta per l'organo spra i pedali, e senza / Girolamo Frescobaldi
- Recercar sesto sopra fa, fa, sol, la, fa / Girolamo Frescobaldi
- Toccata prima / Michelangelo Rossi
- Toccata seconda del nono tuono naturale / Giovanni Salvatore
- Versi sopra il Kyrie (Messa della Domenica) / Giovanni Salvatore
- Canzon quarta del quarto tono naturale / Giovanni Battista Fasolo
- Hinno per la Ascensione del terzo tono: Jesu nostra redemptio / Giovanni Battista Fasolo
- Ricercare nono con tre soggetti / Luigi Battiferri
- Capriccio / ?Pietro Andrea Ziani
- Toccata / Bernardo Pasquini
Description and Table of Contents
- Volume
-
1517-1599 ISBN 9780571507863
Description
The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions, presenting a broad and balanced view of the main forms, styles and composers. Within each geographical region the pieces, most of which are for manuals only, are arranged by date of composition or publication.
The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In every volume, an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration, and a Critical Commentary giving detailed information on the sources.
Table of Contents
- Ave Maris Stella (Rodio, Rocco)
- Canzon Detta La Capriccioso (Pellegrini, Vincenzo)
- Chi Con Crede (Antico, Andrea)
- Hymn: Christe Redemptor Omnium (Cavazzoni, Girolamo)
- Intonazione Del Sesto Tono (Gabrieli, Andrea)
- L'Autre Jour Par Un matin (Cavazzoni, Marc Antonio)
- Magnificat Quarti Toni (Cavazzoni, Girolamo)
- Ricercar Del Sesto Tuono (Bertoldo, Sperindio)
- Ricercare Del Settimo Tono (Gabrieli, Andrea)
- Toccata Del Quarto Tuno (Luzzaschi, Luzzascho)
- Toccata Quarta Del Secondo Tuono (Merulo, Claudio)
- Versi Sopra Il Re (Valente, Antonio)
- Volume
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c. 1600-1635 ISBN 9780571507870
Description
The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions, presenting a broad and balanced view of the main forms, styles and composers. Within each geographical region the pieces, most of which are for manuals only, are arranged by date of composition or publication.
The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In every volume, an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration, and a Critical Commentary giving detailed information on the sources.
Table of Contents
- Canzon Post Il Comune (Frescobaldi, Girolamo)
- Canzon Quarta: La Pace (Cima, Giovanni Paolo)
- Canzona Franzesa Settima Cromatica (Trabaci, Giovanni Maria)
- Gloria In Excelsis (Banchieri, Adriano)
- Kyrie Della Domenica (Frescobaldi, Girolamo)
- Prima Toccata Del Terzo Tuono Autentico Alla Levatione Del Santissimo Sacremento (Banchieri, Adriano)
- Ricercar Primo (Mayone, Ascanio)
- Ricercare A Quattro (Cima, Giovanni Paolo)
- Ricercare Del Settimo Tuono (Diruta, Girolamo)
- Seconde Stravaganze (Macque, Giovanni de)
- Secondo Dialogo (Banchieri, Adriano)
- Toccata (Pasquini, Ercole)
- Toccata Avanti La Messa Della Domenica (Frescobaldi, Girolamo)
- Toccata Cromatica Per Le Levatione (Frescobaldi, Girolamo)
- Toccata Quarta (Mayone, Ascanio)
- Volume
-
1615-c. 1700 ISBN 9780571507887
Description
The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions, presenting a broad and balanced view of the main forms, styles and composers. Within each geographical region the pieces, most of which are for manuals only, are arranged by date of composition or publication.
The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In every volume, an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration, and a Critical Commentary giving detailed information on the sources.
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