Kassandra and the censors : Greek poetry since 1967

Bibliographic Information

Kassandra and the censors : Greek poetry since 1967

Karen Van Dyck

(Reading women writing / a series edited by Shari Benstock and Celeste Schenck)

Cornell University Press, 1998

  • : pbk

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Note

Includes bibliographical references (p. [261]-298) and index

Description and Table of Contents

Volume

ISBN 9780801427046

Description

In this pioneering study of contemporary Greek poetry, Karen Van Dyck investigates modernist and postmodernist poetics at the edge of Europe. She traces the influential role of Greek women writers back to the sexual politics of censorship under the dictatorship (1967-1974). Reading the effects of censorship-in cartoons, the dictator's speeches, the poetry of the Nobel Laureate George Seferis, and the younger generation of poets-she shows how women poets use strategies which, although initiated in response to the regime's press law, prove useful in articulating a feminist critique. In poetry collections by Rhea Galanaki, Jenny Mastoraki and Maria Laina, among others, she analyzes how the censors'tactics for stabilizing signification are redeployed to disrupt fixed meanings and gender roles. As much a literary analysis of culture as a cultural analysis of literature, her book explores how censorship, consumerism, and feminism influence contemporary Greek women's poetry as well as how the resistance to clarity in this poetry trains readers to rethink these cultural practices. Only with greater attention to the cultural and formal specificity of writing, Van Dyck argues, is it possible to theorize the lessons of censorship and women's writing.
Volume

: pbk ISBN 9780801499937

Description

In this pioneering study of contemporary Greek poetry, Karen Van Dyck investigates modernist and postmodernist poetics at the edge of Europe. She traces the influential role of Greek women writers back to the sexual politics of censorship under the dictatorship (1967-1974). Reading the effects of censorship-in cartoons, the dictator's speeches, the poetry of the Nobel Laureate George Seferis, and the younger generation of poets-she shows how women poets use strategies which, although initiated in response to the regime's press law, prove useful in articulating a feminist critique. In poetry collections by Rhea Galanaki, Jenny Mastoraki and Maria Laina, among others, she analyzes how the censors'tactics for stabilizing signification are redeployed to disrupt fixed meanings and gender roles. As much a literary analysis of culture as a cultural analysis of literature, her book explores how censorship, consumerism, and feminism influence contemporary Greek women's poetry as well as how the resistance to clarity in this poetry trains readers to rethink these cultural practices. Only with greater attention to the cultural and formal specificity of writing, Van Dyck argues, is it possible to theorize the lessons of censorship and women's writing.

Table of Contents

Acknowledgments Note on Transliteration and Translation Introduction 1. Power, Language, and the Discourses of the Dictatorship Greece As a Patient in a Cast Censorship and the Question of Silence Discursive Styles and Political Practices Telling the Truth in Eighteen Texts Dionysis Savvopoulos's Plastic Flag 2. Poetry, Politics, and the Generation of the 1970s The So-Called Generation of the 1970s Lefteris Poulios's Political Beat Vasilis Steriadis's Poetry Strip 3. Women's Writing and the Sexual Politics of Censorship The Figure of Woman under the Dictatorship Kyr's Lysistrata Kassandra's Wolf and Wolf's Cassandra The Social Text of Women's Poetry after the Dictatorship Sexual Politics and Poetic Form 4. Rhea Galanaki's The Cake and the Deferred Delivery Figuring (Out) Woman The Cake is Pink The Sexual Politics of Mimesis Writing As a Pregnant Woman 5. Jenny Mastoraki's Tales of the Deep and the Purloined Letter The Place Where Terrible Things Happen Writing the Dreamwork The Exhibition of Prohibition The Purloined Letter and the Woman Reader 6. Maria Laina's Hers and the Unreciprocated Look The Look of Censorship Toward an Alternative Grammar of Self Finding the Ground of Love Elsewhere Epilogue Works Consulted Index

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