Raw histories : photographs, anthropology and museums
Author(s)
Bibliographic Information
Raw histories : photographs, anthropology and museums
(Materializing culture / series editors, Paul Gilroy, Michael Herzfeld and Daniel Miller)
Berg, 2001
- : cloth
- : pbk
Available at 14 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 239-264
Includes index
Description and Table of Contents
Description
Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as 'history' can offer both theoretical and empirical insights into these roles. Photographs are thought to make problematic history because of their ambiguity and 'rawness'. In short, they have too many meanings. The author refutes this prejudice by exploring, through a series of case studies, precisely the potential of this raw quality to open up new perspectives. Taking the nature of photography as her starting point, the author argues that photographs are not merely pictures of things but are part of a dynamic and fluid historical dialogue, which is active not only in the creation of the photograph but in its subsequent social biography in archive and museum spaces, past and present. In this context, the book challenges any uniform view of anthropological photography and its resulting archives. Drawing on a variety of examples, largely from the Pacific, the book demonstrates how close readings of photographs reveal not only western agendas, but also many layers of differing historical and cross-cultural experiences. That is, photographs can 'spring leaks' to show an alternative viewpoint. These themes are developed further by examining the dynamics of photographs and issues around them as used by contemporary artists and curators and presented to an increasingly varied public. This book convincingly demonstrates photographs' potential to articulate histories other than those of their immediate appearances, a potential that can no longer be neglected by scholars and institutions.
Table of Contents
Introduction: Observations from the Coal-Face Part I: Notes from the Archive 2 Exchanging Photographs, Making Archives 3 Photographing Objects Part II: Historical Inscriptions 4 Visualising History: Diamond Jenness's Photographs of the D'Entrecasteaux Islands, Massim, 1912, 5 Time and Space on the Quarter Deck: Two Samoan Photographs by Captain W. Acland 6 Professor Huxley's 'Well-considered Plan' 7 Re-enactment, Salvage Ethnography and Photography in the Torres Strait Part III: Reworkings 8 Rethinking Photography in the Ethnographic Museum 9 ]orma Puranen -Imaginary Homecoming-A Study in Re-engagement
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