Public offerings
著者
書誌事項
Public offerings
Thames and Hudson, 2001
大学図書館所蔵 全7件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"This publication accompanies the exhibition "Public Offerings," organized by Paul Schimmel and presented at the Museum of Contemporary Art, Los Angeles, 1 April - 29 July 2001."
内容説明・目次
内容説明
Public Offerings presents breakthrough works by some of the most important and challenging artists to emerge in the past decade, exploring the conditions, consequences and contexts that surround their first 'public offerings'. It provides a critical overview of art at the beginning of the 21st century. Youth is a highly relevant factor in the development of these works, just as it has been in the advancement of contemporary music and literature, and even the sciences. Young artists are now among today's most critically discussed and visible practitioners. All the artists featured in this collection graduated from prestigious colleges of art in Britain, the United States, Germany and Japan, and their success has raised the profile of art schools and the issue of their increasingly important role. While confident in their conception, execution and theatrical vigour, the works included here also represent a fragile moment in the artists' development. The art clearly demonstrates the impact of the particular art school and regional identity.
Along with the complex network of travelling critics and curators, international exhibitions, regional and global art journals, and ambitious galleries and collectors, art schools have emerged as important crossroads for recent art's shared themes and discourses, and have served as both incubator and platform for new art. A series of specially commissioned essays examines the art school's role and the relation of an international art world to local practice. Also included are critical texts examining the artist and individual works, accompanied by full colour reproductions. Among the artists featured are Matthew Barney, Julie Becker, Damien Hirst, Sharon Lockhart, Chris Ofili, Jason Rhoades, Diana Thater, Yutake Sone, Rachel Whiteread, and Jane and Louise Wilson.
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